Framing Time: Kolmanskop Through My Lens – A Photographic Travelogue

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Preserved by the Namib: Kolmanskop’s Early-20th-Century charm stands against time’s relentless march. Photo Lizane Louw

The sun hangs low in the Namibian sky, casting long shadows over the sun-burned dunes and remnants of a once-thriving German diamond mining town in the Namib, Kolmanskop. The orange-red sand ebbs and flows and reclaims the space. The ever-shifting mass of pale ochre is swallowing the memory of a bygone era.

As the sun set over the dunes, the light cast its last russet and tawny lines on the horizon. We are covered in desert dust as we walk back to the White Rhino, the Toyota Bakkie, waiting to drive back to Luderitz.

My heart was whole.

A childhood dream came full circle. I know what we experienced on an expedition exploring the desert that afternoon will be a very different space tomorrow as the rhythm of the elements re-creates and sculpts the amber-coloured landscapes.

Our photo adventure at Kolmanskop was a journey through my memories and a trip into the heart of one of Namibia’s most popular and photographed destinations.

In this photographic travelogue, I will share an experience that profoundly impacted my young mind as a child. The first photographs of Kolmanskop I ever saw sparked a fascination with this abandoned German mining town, its history and a curiosity about Africa’s colonial past.

But I am not the only one; the eerie allure of this abandoned town has fascinated photographers, explorers and dreamers for generations.

Kolmanskop, a ghost town frozen in time, we explored the rich history and allure of this unique Namibian landscape in 2019.

Childhood Inspiration: Kolmanskop

As a teen, I often lost my imagination in printed images of Kolmanskop, which my mother proudly displayed on our living room wall. Those A4 framed images etched a lasting impression.

From the first moment I saw those photos, I knew that one day, I would like to explore that otherworldly place with the doors swallowed by burned orange dunes.

My dad is Namibian, and we lived in Namibia for a couple of years. My parents are explorers and love to travel around Southern Africa, sometimes disappearing for months at a time when I was a grownup, living my adventures in Asia and Europe.

On one such trip, one of the many they had exploring the desert landscapes back in the day, my mom bought two prints of Kolmanskop.

Whenever I looked at the images, my curiosity was piqued; I remember the contrast of the colours and the sand-filled rooms of the abandoned buildings. In my imagination, I always transported myself to that place.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
A time capsule in the desert. Kolmanskop’s ghostly beauty beckons explorers to witness its beauty and decay. Photo Lizane Louw
"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Kolmanskop’s surreal transformation: The doors tell stories of a vanishing history. Photo Lizane Louw

I developed a fascination with doors. In my mind, the scenes of weathered wood are silent testimonies to a forgotten history. The faded, chipped paint, with light bouncing off the wood’s edge, contrasts starkly with the ever-shifting invading dunes slowly swallowing the space.

Partially buried and slightly ajar, these doors are surreal artworks created by the forces of nature, sculpted by time and the elements. These scenes make a captivating play of light and shadow.

These were the vistas that caught my attention and sparked my curiosity. These scenes continue to inspire visual narratives, stories of impermanence and transience.

The Rise and Fall of Luxury in the Desert

Kolmanskop’s history, once tied to a glitzy promise of diamonds, now stands as a testament to time and the power of nature to reclaim. The area surrounding Kolmanskop was initially inhabited by indigenous Nama and Damara communities, who had lived in harmony with the harsh and unforgiving Namib Desert for centuries.

The late 19th century brought in the European colonial powers vying for control of the abundance of natural resources and control of Africa.

This region in Southern Africa fell under German colonial rule. During German control, diamonds were first discovered in the Namib Desert. A railway worker, Zacharias Lawala’s discovery led to the rapid development of this desert mining village in the early 1900’s.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
A gateway to Africa’s colonial history: Kolmanskop’s
time-worn signpost beckons modern-day explorers. Photo Lizane Louw

The Germans built a thriving community in this barren desert; they brought luxury with modern comforts, like a school, a hospital, a ballroom and some amenities few locals would know and recognise at the time. At the time, the Germans also developed a tram system in Africa.

The diamond rush was short-lived; the world wars and the depletion of the diamond resources led to the village slowly running empty and declining. The town’s history was also scarred with the legacy of colonial exploitation and violence as the Germans committed a genocide against the Herero people in 1904. Locals were forced to work as labourers in these mines during the dark days of colonial oppression in Namibia.

The abandoned buildings at Kolmanskop serve as a poignant reminder of both the colonial ambitions of the European region at the time and the fleeting nature of human existence in the face of nature’s power.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
A sign of time: The silent dance between Kolmanskop and the Namib Desert. Photo Lizane Louw
"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
The Namib Desert is slowly reclaiming the space. Photo by Lizane Louw

Preparing for an epic journey of discovery

After living between Southern and Eastern Asian countries for over a decade and completing a master’s degree in journalism, it was time to head home to Africa, this time with my German partner (now husband).

We jumped into a Toyota Hilux bakkie with my mom and dad and took a safari road trip and photo expedition spanning 8500 km and four Southern African countries.

We had no plan, made no bookings for accommodation, had no maps, and relied on my dad’s expertise and knowledge of Southern Africa.

Into the Wild- An African Wilderness Expedition
A journey of discovery: an 8500 km photo expedition and safari in Southern Africa.
Into the Wild- An African Wilderness Expedition
A journey of discovery: an 8500 km photo expedition and safari in Southern Africa.

If anyone knows the bush and the open road, it is my dad. So, I felt completely safe and happy with no plan or idea of what we were doing. We left the whole experience to chance and good weather and made our way according to the sun and how we felt.

On the month-long journey, we camped in bungalows, wild camps and guest houses along the open road—one of our first stops in Kolmanskop.

It was entirely by chance that we could stay at Lüderitz to visit this world-famous cultural heritage site.

I think this was a perfect plan- no plan. So, every experience on this trip was an unplanned adventure. Of course, my dad had the plan in his head; he has driven this road and the roads we did on that trip many times.

That road also now, this expedition, a favourite of mine. I have recently created the map of this epic road trip and expedition, with the help of the most hardcore explorer I know, my dad Into the Wild, An African Wilderness Expedition- A Journey of Discovery: an 8500 km photo expedition and safari in Southern Africa.

The Long-Awaited Journey to Kolmanskop

We arrived at Kolmanskop early in the morning, had some coffee in the coffee shop and asked one of the staff if we could leave our bigger bags and some jackets in the shop.

It was winter, cold in the morning, and as the sun climbed higher in the sky, it got warmer and sunnier in the desert.

The air was dry, and a breeze blew through the abandoned buildings. The scene reminded me of one of those old cowboy movies. We set out just after the site opened and spent the whole day exploring until sunset.

There was much to discover. We explored all the buildings we could and created images where we went. I felt like I was in a dream world for hours, with each scene we entered differently from the next. Sand everywhere.

I drank a lot of water that day, and so did Daniel. It was hot. The sand made soft layers of gold on our skin and clothes. My lips were cracking. My skin was very dry.

Immersing in the Desert Landscape

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
History swallowed by sand: Kolmanskop’s haunting elegance is slowly disappearing. Photo by Lizane Louw

Nothing can prepare you for this photo expedition and exploration of Kolmanskop; it was one of the most demanding shoots I ever did. The light inside these buildings was challenging, and being the purist that I am, I like to shoot on camera, and the contrasts from the inside of the buildings, looking out, were so strong. I did not want to carry a tripod with me, and I experimented a bit with bouncing flash, but it was way too tricky.

At the time, I was shooting with a Nikon D7000, an old faithful travel companion of a decade. I had my iPhone 8 with me; it was just over two years old then, and I have to say that I was rather impressed with the photos I could shoot with the iPhone.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Kolmanskop Namibia. This image was created with the iPhone 8 Plus, 2019.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Kolmanskop Namibia. This image was created with the iPhone 8 Plus, 2019.

I have not printed any of the work from the iPhone yet; that will be a project I will take on in the future. All these photos have been sitting in my archive for four years. With this thought, I have to refer back to some rock-solid advice I got as a young photojournalist at one of the photography masters courses I did. “Never delete any of your photographs; editing programs change, and technology will improve; keep your archive organised and revisit it when the time comes.”

So, it is today– and will be.

Documenting the Adventure

With our cameras, we sought to capture every angle of Kolmanskop’s decay, from the play of light and shadows to the intricate details and beauty of the abandoned buildings.

I realised from spending hours exploring the space that the light constantly changes the vistas, and so does the interior of the buildings; your chances of getting good photographs are in the hands of nature as the light dances and shadows bounce off the walls down the abandoned corridors—every scene, eerily moving and beautiful.

We revisited a couple of our favourite scenes in the town a couple of times that day, and as the sun was moving in the sky, the scenery changed. The ever-evolving sand’s shape and colour shifted constantly.

Once the sun started to set, I felt slightly panicked as we were informed of wild animals that roam the space after sunset.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
From glory to desert dust: Kolmanskop’s silent descent into the Namib. Photo Lizane Louw

Discovering Hidden Stories Imagining the Past of Kolmanskop

Walking through the abandoned houses and buildings, I couldn’t help but imagine those who once called the space their home. I imagined their joys and sorrows and the immense struggles they must have faced at the turn of the 20th century in this remote desert outpost.

Sitting for what seemed like hours in one of the most well-preserved buildings on a hill on the outskirts of the village, I could only imagine what the spaces looked like and what stories the walls held. I imagined the room filled with laughter and music.

My curiosity was piqued, and I knew that one day, I would like to write a historical feature sharing the story of this space.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Resilience in decay: Kolmanskop’s remnants stand against time and the power of nature. Photo by Lizane Louw
"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Kolmanskop’s quiet demise: A photograph that is a powerful testament to time’s constant movement. Photo Lizane Louw
"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
The Last Stand: A photo documenting a deserted old German mining town’s slow
surrender to the Namib. Photo by Lizane Louw

Capturing Beauty in Decay:  The Power of Photography

My photo expedition to Kolmanskop was not just a physical journey but a profound personal exploration of the intersection of history, nature, and human imagination.

The evoking beauty of this abandoned mining village inspired me to create a series of fine art photographs that explore the themes of human fragility and transience. These images I created capture the essence of this abandoned diamond mining town and serve as a powerful reminder of our fleeting human existence.

I captured the play of light and shadow, highlighting the intricate textures and patterns in the decaying buildings reclaimed by the ever-shape-shifting desert dunes. The juxtaposition of the barren desert and the abandoned structures creates a striking visual impact. Strong contrasts in colour and texture invite us into this surreal, otherwordly visual experience.

These photographs are not just a reflection of life’s impermanence but also stand witness to the beauty that can be found in decay and abandonment.

As you look at the work I created, I would like to invite you to reflect on our human existence.

The colour, light, and shadow enabled me to create a series of fine art photographs that I hope will inspire your imagination, too. My aim in presenting the work and sharing this story is to show the ability of photography to capture the essence of the human experience. I hope to inspire you to see beauty in even the most unlikely places. Our visit deepened my appreciation for the power of photography and storytelling in shaping dreams and aspirations.

Photograph of journalist and photographer, Lizane Louw, at Kolmanskop, Namibia

Kolmanskop, a place that had intrigued me since childhood, had transformed from a distant dream into a tangible reality, leaving an indelible mark on my work as a photographer and journalist.

A place that once only lived in my childhood dreams and the deep corners of my imagination had not only met but exceeded my expectations. It became integral to my identity as a travel and culture journalist.

I am looking forward to my return.

As I reflect on my experience as a photographer at Kolmanskop, I’m reminded that imagination can pave the way for extraordinary adventures. Once these daydreams become reality, they can etch unforgettable chapters into the intricate and beautiful tapestry that is the story of our lived experience.


Spring News ’23. Innovative Framing, Alternative Photo Printing And Design.

Finally, our late spring, early summer newsletter. In this edition, I share some thoughts on alternative photography print techniques, my current projects and thoughts on visual design! I am exploring unconventional printing and framing techniques and pushing my creative boundaries as an artist and designer. In this issue of our news/letter, we delve deeper into the art of printing and my creative experiments.

: Our Print Drop Experience: An Journey With Art and Nature

The inaugural print drop of our online fine art photography gallery ended just over a week ago. Reflecting on the experience, I can say that Daniel and I are filled with gratitude and a sense of awe for what we experienced and learned, and in the end, take away from this incredible creative journey we embarked on together in 2019. To summarise the whole experience in a paragraph of this news/letter would not be enough; I will share more on the challenges, mistakes we made, our creative process, and what we learned as I continue to brainstorm a “How to” article, I think sharing the pitfalls and challenges might help someone else setting up an online gallery and print shop. I will share more about this challenging but rewarding experience. More on that soon.

Exploring the elements

The “Elements” collection, inspired by the Japanese and Chinese philosophy of the “Elements of Nature,” took us on an artistic adventure through the remote landscapes of Namibia and Iceland, a journey that we shared with our first experimental print drop.

We face numerous physical and creative challenges during photo expeditions in these remote and awe-inspiring locations. We often face harsh weather conditions and challenging light. Still, each image we create is a testament to our passion for visual storytelling, perseverance, and a deep connection with the natural world.

With each photography expedition and story adventure, we aim to push our creative boundaries and that of our craft. Returning home with a bag full of stories and photographs that inspire us is what it is all about.

Throughout this inaugural print drop, we witnessed the power of art to inspire and connect people. Seeing how our fine art prints have resonated with art enthusiasts and nature lovers alike has been truly humbling. Our work has transported our audience to remote landscapes, igniting a sense of wonder and evoking emotions that words cannot fully express. We appreciate every connection made, every comment and every message of encouragement.

The response to the various formats and motifs we carefully curated for the “Elements” collection has been overwhelming but inspiring. Through creative experimentation, we learn what works and what doesn’t. We learned much and will apply the lessons learned to our next print drop in September.

We experimented a lot and pushed boundaries. From the convenience and versatility of A-sized prints and the elegance of European gallery sizes to experimentation with asymmetrical framing, we aim to cater to diverse tastes and preferences with our fine art photography prints. It makes us happy that our efforts to present photographic art in unique ways have been noticed and appreciated. We are inspired to continue exploring the intersection of art and nature, capturing moments of beauty and wonder that transcend time and physical space.

While this print drop may have ended, our journey as creative storytellers and artists continues. We are planning our next print drop and brainstorming new photo expeditions. We look forward to sharing our future projects with you. Connect with us on social and join us once again on a visual adventure to unique, exotic and remote locations and experience our encounters with the elements of nature.

You can read more about the “Elements of Nature” project on my website. I will update the main website and online gallery with more work as we explore all the possibilities of visual storytelling, photography and epic photo expeditions. We aim to develop our practice as visual and lens-based artists.

If you are curious, the art photography gallery studiolizanelouw.com is online; the only work currently available to collectors and photography enthusiasts is a small selection of open-edition prints. We will update the gallery with the following print drop in September. Many hours go into brainstorming such a project, so check back towards September to see what we will create next.

In the meantime, get in contact if you have any questions, or sign up for the studio newsletter to learn more about our future projects.

: On my creative journey, practice as an artist and new projects

With a continued focus on the elements of nature, I am embarking on an experimental print project this summer. I have been curious about photograms and cyanotypes for a very long time and will experiment with these printing techniques in the coming weeks. I learned a lot from block printing, mud printing, image transfers, and batik in the past few years. What sparked a new project was an exhibition we attended in April 2022 here in Berlin. I was introduced to the work of Marie Clerel, her midi series, 2017–2019, at Songs of the Sky, Photography and the Cloud at C/0 Berlin.

The simplicity of the work by Clerel and the power in the process and thought behind it had a profound impact on me. I have since dreamed about experimenting with cyanotypes and photograms. When the opportunity came up to do a workshop here in Berlin, we dove in, and in a couple of hours, I was hooked.

I created some test prints and have experimented a bit with different papers and also photo paper. I stocked up on all the necessary tools and am now patiently waiting for the sun. I look forward to our experiments and the body of work I will create this summer.

Nature. Human Nature – A Juxtaposition in the Natural World.

The photography project “Nature. Human Nature” aims to explore the relationship between humans and nature through the cyanotype process and photograms. By utilising natural found objects discovered in Berlin, the project seeks to create thought-provoking and visually captivating prints that contrast the effects of coevolution and coadaptation. I am interested in the continuous process of mutual adaptation of us as humans and mother nature. Human actions impact the environment; this leads to ongoing changes and adjustments.

The project intends to communicate the impact of human actions on nature. The work will draw inspiration from minimalist and abstract art, aiming to create works that resonate with people interested in experimentation with alternative printing techniques and who love art, photography and pushing creative boundaries.

I am taking some time off from social media for the summer and will dedicate my time to sun printing. I am excited and inspired not only to create art but to recharge my creativity and to do more experimentation with printing. I look forward to exploring the green spaces here in Berlin and enjoying some sun after this long brutal winter.

Papaver rhoeas, Mörderberg Berlin, July 2023. This print of a poppy was made on Solar-Fotopaper that was exposed to the sun on an overcast day, exposure time, 5 min.

: On Other Projects

I believe in experimentation and pushing creative boundaries with photography, printing and art. Those following my journey for a while know I have various creative projects running in the background, some in various stages of “production”, I will share more in the coming months.

Apart from all the visual, written and design projects I am working on, I have accumulated an extensive body of work over the years, and one of my main projects this summer is to edit my travel photography and travel journalism portfolio and share a collection of work on my website. I have been putting this task for years and have not shared much of my travel photography on my website or on social media. Finally, I will edit and add the work to collections and share it on my website. Who knows, the work might even go into a photobook.

A young boy dressed in a colourful costume for an initiation ceremony in the village of Tenganan, Bali. I got to photograph one of the village boys before the ceremony. The double Ikat Geriseng and traditional village costume caught my eye.
My pursuit of indigenous double Ikat and Songket textiles led me to an extraordinary encounter—a sacred ceremony in Tenganan, Bali. The vibrant patterns woven into these religious fabrics narrate the stories of this secluded community, its culture, and its divine heritage, leaving me inspired and curious, eager to delve deeper into their world of extraordinary textiles. In the photo is a young man celebrating this sacred ritual, Ngusaba Sambah, in Tenganan Bali.

One of the most important phases in my creative process as a photographer and artist is reflection. As summer finally arrived, I could feel the pace of life here in Berlin slowing down.

I decided that I wanted to move slow for the next couple of months. Summer in Berlin is magic, and I want to throw myself head first into this European summer. It is time to take a break and recharge. It is also time to reflect on all my incredible experiences on the road and ten years of epic adventures in Asia before I set off on another epic adventure to the East in the Autumn.

I will share a travel photography portfolio soon. I am excited to dive into my archive and re-edit the work I created on an epic mind-expanding adventurous ten years in Asia.

: On Design

I have two months of studies left in my design certification course. I feel like I want to pick up the pace a bit and commit more time to exploring visual design. There are so many cools books I want to read. (I will share some books I am reading in the next newsletter.)

What I learned so far has changed how I look at content, write content, create content, and present my work online. To say that I am happy with what I have learned so far would be an understatement. I am also delighted to expand my creative repertoire and to be able to call myself a designer. I have always been interested in information architecture, interaction design, visual research and visual design, so I look forward to using all my creative and multimedia skills.

My days for the past year have been packed and challenging, mainly focused on our online art photography gallery and my design studies. I have spent months researching, sketching and iterating designs, and I look forward to sharing my sustainable travel app and design portfolio soon.

Once my studies are complete, I will offer more writing, photography and design workshops. I am building some serious skills and will happily share what I have learned.

: On Connection

Keep your eyes on my social media pages. Behind the scenes, as new projects take shape and the current flow of inspiration continues, I will share more of our studio work after our summer break. I will also share the creative process and the next print drop with the subscribers of the studio newsletter. Do sign up if you want to follow along.

Thank you for being part of this epic creative journey. Stay tuned for more photography adventures, epic photo expeditions and photo stories.

I have big dreams and big plans and will continue to share my love for the arts, design and innovative print experimentations on textiles, paper and other materials with you.

I aim to inspire, one photo/story at a time.

See you in autumn ’23.

A Photographer’s Journey: From Nomad to Artpreneur

A photo for the article: A Photographer’s Journey: From Nomad to Artpreneur | Lizane Louw. A photo of a selection  of images that will be available in Lizane's online shop.

A Photographer’s Journey

Every journey starts with a photograph

This is a story of my journey as a photographer and artist, a life story inspired by a camera I received when I was 14. Every story has a beginning; all my stories always start with a photograph.

I am an experimental and multifaceted artist who has dabbled in various art forms and mediums. My career has been focused on visual storytelling as a photographer, journalist, educator and designer since I started my first degree at Stellenbosh Univesity. My passion for storytelling saw me graduate with a master’s degree in journalism, a story for another day.

My passion for travel and exploration (and I guess also my curiosity) has taken me to over 60 countries. As a photographer and journalist, I covered various topics such as hard news, travel, culture, art and the environment. I have developed some serious skills on the road, and from years in the field as a photojournalist, I believe I have a unique ability to take viewers on journeys through my work in visual storytelling.

My journey with visual arts began when I received my first camera from my dad at 14. Since then, I have explored various cameras and niches in photography, starting a professional career in 2007 as a photojournalist for daily and weekly newspapers in South Africa.

A photographer’s journey

A photographer journey. A portrait of Lizane Louw. Portrait created in Studio Lizane Louw. A photo for the article: A Photographer’s Journey: From Nomad to Artpreneur | Lizane Louw.
Portrait of Lizane Louw. Photo Daniel Windel.

I grew up in a small town in the Cape Winelands in the Western Cape, South Africa, and I always dreamed of exploring the far corners of the world, places that only lived in my imagination. Photography and visual journalism opened the world, and my career took off when I worked as a freelance multimedia journalist and photographer in South Africa. Since I left South Africa in 2012 to study multimedia journalism in Asia, I have bounced between photography, journalism, writing, education, and design.

Most of my inspiration comes from a decade of living in Asia and exploring the countries in south-east Asia, the far east and central Asia. Eastern philosophy and living in the East profoundly impacted my work as an artist; I am still learning about this and appreciating all the epic challenges I faced. Finally, after 10 long years of adventure, I was forced by the pandemic to sit down, take stock and strategise the next steps of my career. The pause between the notes was good for me.

Over the past 26 years, my journeys took me to some of the most beautiful islands in Indonesia, Malaysia, the Caribbean and Europe. I had epic train adventures in India, Thailand, Cambodia, Germany, France, Italy, Austria and Switzerland. In addition, I  sailed around North America and to some countries in South America. I had safaris in Africa and adventurous photo expeditions in Iceland and Greece. I have always been a bit of a nomad at heart. I travelled a lot and still do.

A photographers journey. Lizane Louw, in the field. A photo for the article: A Photographer’s Journey: From Nomad to Artpreneur | Lizane Louw.
Out on the road exploring Nambia. Photo Daniel Windel.

This nomadic lifestyle, armed with my camera and rolls of the film initially, fuelled my passion for photography. I am deeply fascinated with the human condition and our relationship with nature. I love exploring cultures and landscapes and photographing all my cultural experiences and all the interesting people that cross my path.

Ultimately, my background in photojournalism and years of experience in the field gave me a solid foundation in photography. I am still proud to say that I am a self-taught photographer. I dream about studying fine art photography. Setting up shop in Berlin has opened many doors; I might just take on studies in photography in the next couple of years.

The middle of the story

A photographer journey. A photo for the article: A Photographer’s Journey: From Nomad to Artpreneur | Lizane Louw. A photo of a selection  of images that will be available in Lizane's online shop.
Studio Lizane Louw, Berlin. Looking at test prints and the quality of the paper of test prints. This was the first batch of images we printed for the new print shop. Photo Daniel Windel.

My images are not just photographs; they are stories of the people I met and my experience while on my journeys.

After many years of working on my skillset, selling photographs and accepting work requests and some commissions, I took a giant artistic leap by opening a studio shop – Studio Lizane Louw. This online art photography gallery and print shop will offer high-quality prints of my photographs from my photo expeditions. With the launch this spring, the first selection of images will feature nature and landscape photographs I created on photo expeditions in Iceland and Namibia.

Launching an online print shop has allowed me to create a platform to showcase my work and share my passion for photography, design, art, travel, and exploration with a broader audience.

Photography is more than taking pictures, photography for me personally goes hand in hand with storytelling.

In the end, it is stories that tie all our experiences together. Sharing stories and experiences give us the opportunity to make connections. The process of image-making allows us to express our stories creatively.

Studio Lizane Louw is not just an online print shop; it’s a visual reflection of who I am as an artist. It is a homage to all the places and experiences I keep deep in my heart. Sharing the work I have created as prints is a way of expressing myself creatively and professionally. I hope my photos will decorate walls, stir emotions, and inspire others to invest in their passions and dreams. I also hope everyone who sees my work will dust off their hiking boots, grab a camera and explore.

The new print shop is not just about selling prints. It’s also a means for me to continue pursuing my photography career as a professional artist and also to focus my career on creating more art photography.

A photographer’s journey as an artpreneur

A photographer's journey. A photo for the article: A Photographer’s Journey: From Nomad to Artpreneur | Lizane Louw. A photo of a selection  of images that will be available in Lizane's online shop.
A test print of “Escape, 2019”, signed. Photo Lizane Louw

I am busy streamlining my business and career by collaborating with a new print partner to handle printing and shipping. This new venture gives me more time to focus on what I love most – travel, exploration, and adventure.

As an independent creative professional, I aim to run a successful online art photography gallery and print shop. I dream Studio Lizane Louw will become a success story inspiring other photographers and travel journalists.

Every day, I take little steps in following my passions and dream. Choosing this path will not be easy, but being persistent, adaptable, and open-minded about the process, will keep me motivated. I have never been someone to quit; this is just another creative challenge.

In addition to the online gallery and print shop, I offer workshops to share my writing, journalism, photography, design and printing knowledge. As a workshop facilitator and experienced writing teacher, I am always happy to share my skills and expertise; I hope to inspire and empower others to pursue their passions and dreams.

I am a driven artist and artpreneur whose passion for photography, design, culture and art has taken me to the world’s far corners. Through my work, I seek to connect with people, share my experiences, and inspire others.

Winter News ’23

Newsletter and the latest news on current projects.

ON PHOTOGRAPHY

The latest news on current projects and new visual work

Studio Lizane Louw (Latest news)

Online Art Photography Gallery and Print Shop

I am happy to share the lastest news on the studio and the projects I am currently doing in this winter news/letter.

The art photography gallery studiolizanelouw.com will launch at the beginning of the European spring.

I have been taking my time with putting this shop together. It was a bigger challenge than initially thought, and I wanted to ensure I did it right. There is a buzz behind the scenes, and I am looking forward to sharing the launch of this project with you soon. This online art photography shop has been years in the making, and I am happy that it all came together.

Apart from ensuring that all the red- tape is in order regarding freelancing and setting up a business here in Germany, I had to ensure that I did my homework. Being an artist and navigating the business landscape is tough and challenging, especially if you live in a country where you are not proficient in the local language.

The time has arrived; the new studio logo is being created by a talented designer based in New Zealand. I am excited about the process and will share all the new branding projects soon.

Keep your eyes on my social media pages. I will share the work I am doing behind the scenes towards the launch in April. I am buzzing with excitement!

I might also set up a webinar to help those who would also like to set up shop but don’t know where to start- more on that soon!

If you would like to be one of the first to know when the studio shop will launch, sign up on the form on the site, by following this link, studiolizanelouw.com.

Latest news: Studio Lizane Louw Website
studiolizanelouw.com

New work published on my website

DESERT AND DUST

I have an extensive archive of work that I created on our last trip to Africa. Selected images from this body of work will be available as open-edition prints in the online gallery and shop. With the launch of the new studio, I will work with a new print partner, and the images from this collection will be printed on Hahnemühle Bamboo, a natural fibre paper in the UK, and shipped from the print shop. The print partner in the UK will handle all future printing and shipping. The printing process and shipping are 100 % carbon neutral. This service aligns with the studio’s philosophy and objectives- more soon.

More selected work from my Giclee collections are offered as bespoke prints on hemp, sugar cane, and agave, printed by our print partners here in Berlin. Desert and Dust is a work in progress, and I am looking forward to heading to Africa later this year to continue the work on this project.


Metal and Rust

I have fallen comfortably into a slow “flow state” with my work. I have arrived in a space where I have creative freedom; working as an independent journalist and a photographer allows me to choose the projects I want to do and explore themes and ideas that I am drawn to. It is a delicate balance, but the hard work is paying off.

My focus is on slow multimedia journalism and photo projects; my long-term visual projects investigate how our daily activities impact the environment due to climate change, global warming, and natural habitat loss.

There is a fine line and theme that connects all my work. I am interested in exploring our human relationship with nature.

On all my trips, I always look for big discarded metal objects, cars, planes and boats or abandoned spaces. I find the natural intervention of time fascinating. Each of these objects sets my imagination on fire and inspires stories…

It just so happens that metal is also one of the elements of nature. My work on the “Elements of Nature” series continues to expand.

Metal

: An element of Nature. One of the five dividers of time

Elements are basic principles or building blocks of which all things are composed.

The fourth element is metal; the nature of metal is to yield and change.
Metal shrinks inward and is hardened and moulded by other natural elements, like water and wind.


Interpretation of the elements derived from Chinese, Tibetan and Indian philosophy.

Source: THE SHU KING, Or Book of Historical Documents. Translated by James Legge

Rusted old cars at Solitaire, a small rural settlement in the Khomas Region of central Namibia. This small village can be found near the Namib-Naukluft National Park. Photo Lizane Louw
The shipwreck ‘Dimitrios’ can be found on Valtaki beach. This white sand beach is close to Gytheio on the eastern shore of the Mani peninsula, Peloponnese, Greece. Photo Lizane Louw.

Land of Ice and Fire, Iceland 2021.

Series I. Autumn Rhythm.
A study of the Icelandic landscape and environment.

Vestrahorn in Autumn. Stokksness Peninsula Iceland. Land of Fire and Ice, Series I. Autumn Rhythm. A study of the Icelandic landscape and environment. Image # VI. Photo Lizane Louw

We spend 18 days exploring Iceland on a Ring Road Road Trip. It was an epic adventure.

This collection is a series of images available as Giclée Fine Art Prints on Hahnemühle Fine Art Paper and prints on brushed aluminium. The bespoke large format prints of all my work are not sold in the new print shop; for questions on the work and custom-made prints, contact me at lizane@lizanelouw.com.

ON DESIGN

It has been a busy couple of months with my visual design studies and works on design projects.

I am in the process of designing a sustainable travel app. In the next couple of weeks, I will start designing the prototypes and the visual design of the app.

I spent months on the planning, brainstorming and UX research of the product and am so happy with the feedback I received from everyone involved, everyone that got connected and shared ideas on social media and that responded to posts. If you got involved in the survey or user interviews I did for this app, thank you, your input inspired me to create a very cool responsive web application. Keep your eyes on my social media pages to follow the design process.

I have a software developer keeping an eye on the project, and hopefully, we will manage to create a working prototype that we can pitch to investors. It is a time-consuming project, but my heart is in it. Who does not like to travel and, even better, travel sustainably?

I am excited, but the details of the project and the idea are a story for another day. Watch this space!

I’ll catch you in the spring!

If you have any questions? Get in touch!

Apricity. Image and Text


apricity

you are at the time of water,
you bite and sting me angrily


your presence foreshadows change and decay
you are the unwanted guest
tempting me outside


I fear your icy breath
as I step into the short day to meet you
you show me the bleak bleached sky
a pale grey opaque, reaching the far corners of my eye


you cast long shadows as we walk in search of frost flowers,
the passage of time, visible in every step
in your presence, the earth is moving slower,
so is birth, growth, life


you whisper and ask me to forget the sun,
show me lonely leafless trees
standing lifeless in the biting cold, isolated
yet,
something about you is pure, spotless, beautiful


an extended pause, a promise of new life
you are the time of water, winter,
my heart
is warming
up to you


NOTES:

Apricity: the warmth of the sun in winter

Photos created in the Grunewald forest, Berlin. It was magical; we explored and experienced the first snow of winter 2023. It was a frosty – 1°C. I used a vertical panning technique to create the images of the trees in the forest. No post processing.


Enjoyed the journey with words and exploring with me? Share, tweet, or email the story!

Cha Dao – The Teachings of Tea

Cha- Dao- The Teachings of Tea is a new visual project I started working on in October this year.

I have learned much about tea and Cha Dao whilst living in Asia. Tea has been one of my best teachers.

Over the past two months, I have also been learning more about using text with images. I started working on this creative project inspired by some brainstorming sessions in workshops with other photographers and writers.

The idea is to develop this tea theme into an exhibition and a book. The project is growing slowly, and I will share more as I refine the idea and put this body of work together. I am also inspired to put my thoughts on paper and to offer word and image workshops in the new year. More about that soon.

( This is a temporary title- as my research into this idea and project continue and the project develops, the name might change- but for now, I’ll call it Cha Dao – The Teachings of Tea.)

 

A photograph of a tiny teapot. This image is part of a new project, the teachings of tea.

You teach me to pause and live each moment. You activate all my senses with each of our interactions. I seek to be in harmony with the rhythm of the universe. I often stumble and fall. I have much to learn as a student of the tea leaf.

How to become a travel journalist

QUESTIONS FOR A TRAVEL JOURNALIST AND PHOTOGRAPHER

How do you become a travel journalist and photographer? This is one of the questions I often get asked when what I do for a living pops up in conversation. I decided to share this short article on “Questions for a Travel Journalist and Photographer” to answer some questions.

Life as a nomad, where do I start?

Photography and exploration, for me a calling; it is a lifestyle, is a way of living. I crossed the boundaries of this being a career a long time ago.

I had many solo travel experiences, train journeys through India, and motorbike adventures on the islands of Penang and Langkawi in Malaysia. Surf adventures in Bali and South Korea. Street photography adventures in Hong Kong, Taipei, Manila, Kuala Lumpur, Seoul, Busan, Paris and Berlin. Wine adventures in South Africa and Portugal. Highlights of my photographic trips were my Photography safaris in Botswana, Namibia, Zimbabwe and South Africa.

During Holi in Varanasi, India in 2016, I met my husband. Daniel is a keen photographer and is now also a registered drone pilot. Since we “teamed” up, we did photographic expeditions to Iceland and Greece and safaris in Africa. We have travelled extensively together.

My favourite experiences have been my tea adventures in Taiwan; so much life inspiration was found at the bottom of my teacup.

MY WORK AS A TRAVEL JOURNALIST AND TRAVEL PHOTOGRAPHER

There are many questions about a career in travel journalism and photography. Many people have crossed my path that is interested in a career in travel journalism and photography. I put together this list of questions that I get asked often. If you are reading this and have any other questions, get in contact.

My profiles on Muck Rack and Trav Media, conversations I had on photo journeys and expeditions, and emails received from professional photographers, aspiring journalists, and travel writers guided this Q and A.

WHAT WAS YOUR FIRST JOB AS A JOURNALIST?

I entered the world of journalism as a photojournalist at Media 24, Die Burger in Cape Town, South Africa, in 2007.

HOW DID YOU GET INTO TRAVEL WRITING?

I have always kept journals and wrote about my travel adventures and experiences on social media. It was a natural progression from being a hard news photojournalist into the world of multimedia journalism. I did a master’s degree in journalism and got into feature writing when I wrote a series “The Tea Diaries” in Taiwan in 2018.

The transition from news to travel writing was a challenge. I still have a lot to learn about the travel industry. I received much support and guidance from some great travel writers and editors in 2020 and 2021. I am in the process of writing, editing and working on some exciting profiles and destination stories.

This career fits me, I have been a nomad for over 24 years, living and working internationally. To date, I visited over 60 countries.

WHAT IS YOUR  FAVOURITE DESTINATION?

That is always a tricky question to answer. This question usually pops up when people ask me about my adventurous spirit. My heart will always be drawn to Asia since I lived between the countries in South East Asia, the Far East and Central Asia for a decade. I love train journeys in India, tea adventures in Taiwan, motorbike and surf adventures in Bali, and safaris in Africa. I just love travelling.

DO YOU HAVE ANY FAVOURITE TRAVEL EXPERIENCES THAT YOU LIKE TO WRITE ABOUT?

Currently, my focus is on unique experiences and destinations off the regular tourist cycle. I am working on tea and textiles stories from India, Sri Lanka and Taiwan. I am also busy writing stories on culinary experiences in Iceland, Peru, France and Portugal. I am drawn to stories about sustainability and the environment, culture and art; I love to explore countries where I can learn about local communities and sustainable ways of living.

DO YOU HAVE A PARTICULAR SUBJECT YOU LIKE TO PHOTOGRAPH?

My background in news photography and photojournalism gave me exposure to a wide variety of subjects. I can document anything I want really; I think I am lucky that I have over 14 years of visual journalism experience.

My areas of speciality and expertise in photography are photojournalismnature and wildlife photographyportraiture and travel photography.

My heart is in portraiture, though. As my career progresses and I get older, I might focus on portraiture more.

EXPLAIN THE TIMELINE OF YOUR CAREER.

I am a trained and experienced hard news and investigative journalist. I followed this career path until I finished a master’s degree in journalism at Ateneo de Manila University in Manila, Philippines. My written work in news and investigative journalism shifted after researching and writing about marine debris and pollution in Taiwan.

Once I landed in Europe in 2020, I started focusing more on travel journalism; living in Germany has opened many doors. Currently, my focus is on stories that educate and inspire. I hope my work can cultivate a better understanding of people and cultures, sustainability, and our relationship with the natural world and the environment. I now work as a travel journalist and photographer in Europe and Africa.

MORE ABOUT THE WORLD OF JOURNALISM AND MY THOUGHTS

HOW IS SOCIAL MEDIA CHANGING NEWS?

Now more than ever, it is important to educate yourself so that you can have informed opinions. News is available with the press of a button. Be an informed citizen of the world. Don’t believe everything you read.

WHAT DOES IT MEAN TO BE A JOURNALIST?

Journalism, especially photojournalism, has taught me to look and then see. As journalists, we are storytellers on the front line of history. That comes with a huge responsibility. I am a journalist, first and foremost, to help people make sense of our world.

WHY DID YOU BECOME A JOURNALIST?

I am a storyteller and an artist, mainly in visual mediums. I like to communicate messages and stories. I have never wanted to be anything else.

WHAT STORY ARE YOU MOST PROUD OF WORKING ON?

“Dust of the Streets. Nobody’s baby, somebody’s child.” A story on adoption and abandonment in South Korea.

DID YOU WORK FOR YOUR HIGH SCHOOL NEWSPAPER?

I wrote for “Die Sollie”, our school newspaper in high school. I wrote gossip news articles.

WHO IS YOUR FAVOURITE FICTIONAL JOURNALIST?

Lois Lane.

TOOLS I USE IN MY JOB

WHAT TOOLS/ PROGRAMS DO YOU USE IN YOUR JOB?

I use the Adobe Creative Suite daily and Microsoft Office. I experiment a lot with programs and apps.

WHAT GEAR DO YOU USE?

My interest is remote and unusual destinations. I keep my camera bag light. I have used Nikon gear my whole life and own several cameras. I have a collection of Nikon film cameras and my pro gear. What is essential for me is not to have the latest, best gear and the biggest and fastest lenses. It is important for me to know my gear well and be able to move fast; I guess that comes from my mindset and training as a photojournalist. You check out what gear I use here. 

WHAT IS YOUR FAVOURITE SOCIAL NETWORK?

Instagram, I have recently also re-discovered twitter.

WHO DO YOU WISH FOLLOWED YOU?

Photographer Annie Leibovitz and Journalist Christiane Amanpour.

SOME THINGS ONLY MY CLOSE FRIENDS KNOW

WHAT ARE YOUR FAVOURITE DRINKS?

Gin & Tonic, Green Tea Mojito and South African wine.

WHEN YOU ARE NOT AT YOUR COMPUTER OR WORKING ON STORIES, WHERE ARE YOU MOST LIKELY TO BE?

Apart from photography, I have many hobbies. You can find me in my studio painting or working in my urban herb and tea garden. I also like experimenting with Asian tea rituals at my tea table. You might also find me somewhere close to water camping and on my SUP.

WHAT ARE YOUR FAVOURITE PUBLICATIONS TO READ?

New York Times Travel,  National Geographic,  National Traveler UK and Condé Nast Traveler.

ADVICE FOR THE ASPIRING TRAVEL JOURNALIST 

WHAT ADVICE CAN YOU OFFER ASPIRING TRAVEL JOURNALISTS AND PHOTOGRAPHERS? 

I guess the most important piece of advice I would give is to be true to yourself, don’t copy others.

Find inspiration in the work of other photographers and writers, but work on your voice and creative identity. Forget what other creatives are doing and do you. You are your only competition, don’t compete with others.

It is vital to get out there, experience life and shoot as much as possible. Read as much as you can. Write as much as you can. Travel. Explore. Do things that surprise and shock you as often as possible.

In the field. Lizane Louw travel journalist and photographer.
In the field. Lizane Louw travel journalist and photographer.

Fifteen (Easy) Ways to Live A Sustainable Lifestyle

Marine debris scattered on a beach in Taiwan. Photo of a shoe and plastic littering a beach. Photo by Lizane Louw
San Po Beach, Northern Taiwan. A shoe, cigarette buts and a glass bottle are some of the thousands of pieces of marine debris that can be found on San Po Beach. TEIA, an Environmental NGO in Taiwan, does regular beach cleanups and beach actions to educate people on marine debris and environmental issues facing the ocean. Photo Lizane Louw

Live eco-conscious, think eco-friendly!

Living sustainably is not a trend; it is a lifestyle. A balanced lifestyle, putting nature first, is not something I have to consciously think about every day. I am grateful for my upbringing close to nature in South Africa. My style of living and life choices are inspired by my upbringing in the vineyards in Paarl. My education and experiences in the Western Cape set the framework for a lifetime of eco-conscious and sustainable living. I grew up respecting nature, nurturing the environment and enjoying the outdoors.

My journey with sustainability

I spent most of the past 25 years travelling and exploring the world. I learned a lot from other cultures and traditions. Living in Asia for a decade also shaped my mindset and made me more aware of our impact on the environment. I learned from observation, I learned about things in my everyday life I can change, and I earned to have a solution-based mindset. My adventures in Asia also inspired me to live a simple, balanced life in harmony with nature.

The most important thing I learned in a career in journalism is that I can make small changes with my camera. In 2016, after a story I did on marine debris in Taiwan, my whole focus in my career changed. I decided to start focusing more on environmental stories and solutions journalism. This shift in my work aligned with this fire in me to fight for the environment and the health of our planet.

How do you start to live sustainably? For me, my work towards the environment’s health starts at home, in my immediate environment and in how I live every day. It all starts with your lifestyle.

Living green and a sustainable lifestyle is one way to support the environment. I can write a book on my thoughts on sustainable living, and I probably will, but for now, I would like to share my fifteen (easy) ways to live a sustainable lifestyle. These actions are tried and tested by me and work. It is easy to implement and will put you on your way to being an environmental activist.

All of us can learn from each other and stand together to advocate and collectively work to protect the environment against climate change, nature and biodiversity loss, destruction and pollution.

OnlyOneEarth Practical Guide, published by UNEP. A graphic designed by UNEP. Green photo- green energy by wind turbines. Turbines on a hill.
#OnlyOneEarth Practical Guide, published by UNEP

#OnlyOneEarth Practical Guide

A Practical Guide to living sustainably in harmony with nature developed for World Environment Day 2022.

If you don’t know where to start and feel a bit lost in the sea of information on the internet, UNEP published a practical guide that you can use as a resource to learn what actions you can take to start living more sustainably and to learn to protect and restore our planet.

This guide inspired my listicle, and I am happy to share my ways of living sustainably with you!

Learn to make sustainable living the only option!

My fifteen ways to live a sustainable lifestyle

1. ADVOCATE FOR CHANGE

First and foremost, I will continue writing stories and doing photo projects on environmental emergencies, including climate change, biodiversity loss and pollution. Slow multimedia journalism and photography projects that advocate change are my focus, and I will continue to advocate against climate change and pollution.

You don’t have to be a journalist to write stories or take photographs…

2. SPREAD KNOWLEDGE

The way we live is focused on a love for nature and respect for the environment, and we will continue to spread our knowledge, research, experience and actions with friends, family and our wider community and networks via social media.

We all have access to social media and use the tools to advocate for the causes you support.

3. GET INVOLVED

I join and support local organizations in Berlin and the countries we travel to. I work with organizations that support sustainability and that focus on environmental projects. Solutions-based thinking by campaigning for systemic change is crucial for me.

There are so many actions organisations, governments and people can take, research a cause you want to get involved with, take the initiative and join the conversations, and be an environmental activist.

4. ETHICAL INVESTING

My husband and I will continue banking with a sustainable bank. GLS was the first sustainable bank in Germany, founded in 1974.

Research and choose financial institutions that are socially and environmentally responsible.

Photo GLS Bank Germany. Photo of climate action. Factories and energy pollution and renewable energy resources, solar power.
Photo GLS Bank Germany.

5. LIVING IN ENERGY-POSITIVE HOMES

Our living space is green. We live in an energy-positive apartment in Berlin with Photovoltaic systems on our roof that generate electricity from the sun’s rays.

You don’t have to fork out money and invest in solar panels; there are numerous other ways that you can make your living space green. Sustainable energy and clean energy are the future; with little research, you can start by making small changes.

Solar Power from roof panels in Berlin. Source: Der Taggesspielgel
Solar Power from roof panels in Berlin. Source: Der Taggesspielgel

6. CONSERVE ENERGY

Living energy conscious- are always thinking about saving energy, turning off lights and electrical appliances when not in use, and using only high-quality appliances with high energy-efficiency ratings in our space.

It is essential to research electrical appliances before you buy them. Make sure your investments are of good quality, and also, in the end, this does not only save you money but will also cut your energy consumption.

Our living space is green, and our fridge, dishwasher, washing machine, oven, induction stove and all the lights in the house run on clean energy.

7. EATING A BALANCED PLANT-BASED DIET

Following a plant-based diet is where sustainability starts for us, experimenting with local ingredients at home and in the places we visit and sharing recipes with friends and family.

Eating a plant-based diet is healthy and reduces reliance on foods that use more natural resources to produce.

Plantbased food- Curries, soups, and rice dishes. Indian Food, Icelandic food, Korean food and an Continental breakfast.

8. USING ALL OUR FOOD

Plant-based living makes us focus on buying green. We will continue buying only the food we need. Less for me is always more.

9. GROWING YOUR FOOD

Getting our hands dirty in our urban garden here in Berlin is fun and rewarding.

We have been growing our herb and tea garden here in Germany for two and a half years. We grow avo trees, lemon Bonzai, tomatoes, and sunflowers. We have a selection of herbs we grow to cook with too. We experiment a lot.

Invest in a herb or tea garden, get your hands dirty, and plant some seeds.

10. CHOOSE NATURAL, CHOOSE NATURE

We buy products supporting ecosystems and local communities, such as wood, bamboo, metal, and clay. We use organic textiles and fibres and no plastic and one-time-use products.

When I travel, I like to attend textile workshops. I enjoy printing my textiles.

I look at clothing labels and choose quality over quantity. Check the clothing labels; fast and cheap textiles and fashion will cost you in the long run.

11. SLOW FASHION

Sustainability continues into our cupboards to buy fewer and better clothes; we invest in high-quality textiles, primarily organic textiles, not fast fashion. We are big fans of Armed Angels and Vaude brands and prefer eco-friendly and eco-conscious brands to anything else. Living a sustainable lifestyle is not just a trend for us; it is a lifestyle.

12. DITCH DISPOSABLES

Our shopping habits are also green. We don’t use products that can’t be reused in our homes. We are always looking for sustainable options. We limit single-use plastic and avoid it where possible.

13. BEING ACTIVE

Walking and exploring, other than using a car is another way we live green.

Berlin is a photographer’s dream. So naturally, with my passion for street photography, we are out and about on weekends, exploring the streets, markets, museums, exhibitions and all the magic this vibey city has to offer. We travel by tram, train, or the underground metro system; this very convenient public transport system takes us where we need to go.

14. DITCHING FLIGHTS

There are many holiday destinations close to us in Berlin and we explore by train, bus, and bike. We use slow travel, when possible, by train. We are especially keen to use the 9 Euro train ticket implemented by the German government this month.

The low-cost ticket lets you use public transport and regional trains nationwide in Germany this summer!

This initiative is part of a larger package offered by the German government to support residents, citizens, and visitors with the rising fuel prices resulting from the war in Ukraine.

Not only does the ticket help with financial relief by offering low-cost travel, but it is an attempt by the German government to reduce oil and gas consumption, and it will also promote climate-neutral travel with public transport.

15. GO CLEANER WITH TRANSPORT

Moving around, we use electric vehicles with car-sharing options. We do weekend breaks always close to home and around Brandenburg, visiting lakes, parks and thermal spas. We book our rental cars from we-share.io here in Berlin; they offer 100% electrical car sharing. We avoid air travel when possible. If we fly for a holiday, work or visit family, we try to make choices that support our efforts to live a sustainable life.

“We must shift from harming the planet to healing it. ” A practical guide to living sustainably in harmony with nature. UN Environment Programme #OnlyOneEarth

#WorldEnvironmentDay #OnlyOneEarth

What actions do you take to live a sustainable lifestyle? Freel free to add your thoughts in the comments below the listicle.

OnlyOneEarth Practical Guide, published by UNEP. A graphic designed by UNEP. Green photo- green energy by wind turbines. Turbines on a hill. Snow and winter image.

Like what you read? Share the good vibes!

Created with love in Berlin!

From Tealeaf to Teacup, more tea stories

A Cup Full of Stories

By Lizane  Louw

Tea stories. Finger Tea Story House Tea Plantation. Mingjing Township, Nantou. A woman is handpicking Oolong Tea on the plantation, 480 m above sea level in Mingjing, the tea village. Photo Lizane Louw
Finger Tea Story House Tea Plantation. Mingjing Township, Nantou. A woman is handpicking Oolong Tea on the plantation, 480 m above sea level in Mingjing, the tea village.
Photo Lizane Louw

I crossed Taiwan in search of tea stories. On one of my journeys, we took a road trip into the mountains of Nantou to explore a unique tea village where the smell of freshly baked Oolong Tea hangs thick in the air. We stomped barefoot in fresh mud and got lost in tiny teapots with tea masters. That night when we went to bed in the round red capsule house on the tea plantation, the moon turned into a teacup.

Impossible? But this is a true (tea)story.

Why I travel

This tea story starts with a question I often get asked, “Why do you travel?”

So, with this story, I will explain why I travel and have been travelling for over 25 years. The short answer is that I travel to find myself. Not finding my identity, not finding out who I am, but finding myself in interesting situations. I travel to find…

I travel to find out what I like and what I don’t like. I travel to eat, taste, smell, drink tea (and coffee and wine), and travel to see and photograph. I travel to learn.

Getting older and wiser, with a lot of air miles and sea miles behind my back, I can look back and reflect on what journeys were most memorable and what experiences I gravitate too. One thin line that is woven through all my experiences in life, is my love for tea.

I am learning to look and see with my journeys with tea. With tea, time stops; I am a student of the tea leaf. I am learning Cha Dao.

My leaf adventures took me to The Finger Tea Story House in Taiwan. This story house is located on Song Bo Ling, Ming Jian Shang in Nantou County. The journey to the story house takes you on a 45 min high-speed train ride from Taoyuan to Taichung.

You must patiently travel another hour or so on a scenic route into the mountains of Nantou. This road trip into the mountains took me past yam, pineapple and dragon fruit plantations. They also grow ginger in the region. In addition, this part of the island produces some of the best Oolong Tea in the world.

Train map. Train from Taipei to Doulio

Finger Tea Story House Tea Plantation is in Mingjing Township, Nantou, central Taiwan. The HRS, High-Speed Rail, jets down to Taichung from Taoyuan in 45 min. You can travel to Mingjing with the Scenic JiJi train or drive from Changhua. Source: Rome to Rio.

Tea stories. Finger Tea Story House Tea Plantation. Mingjing Township, Nantou. A woman is handpicking Oolong Tea on the plantation, 480 m above sea level in Mingjing, the tea village. Photo Lizane Louw
Finger Tea Story House Tea Plantation. Mingjing Township, Nantou. A woman is handpicking Oolong Tea on the plantation. Handpicked tea is much more expensive than machine-harvested tea. Photo Lizane Louw

“Two Fingers” and tea stories

Mingjing is where the history of tea starts in Taiwan; these plantations are the origin of Taiwan’s tea.

The Finger Tea Story House is 480 m above sea level. Mingjang has over 2000 hectares of tea plantations, and it is also the area with the most significant output of tea production in central Taiwan. The region produces four types of tea. Four Season Tea, Golden Daylily Tea, Green Jade Tea and Oolong Tea. For the Oolong tea, I travelled 200 km to the heart of the tea valley.

In the Finger Tea Story  House, I discovered another legend of tea. “Shen Nong Shi (The Emperor of Five Grains) sampled one hundred kinds of grass and was poisoned by 72 of them daily. He had a pair of ox-like horns and a transparent, crystal clear, ox-like belly. One day whilst sampling one hundred kinds of grass, some poisonous grass poisoned him. His crystal belly turned black, and he became ill. He randomly picked a leaf from a surrounding plant and ate it. The tealeaf was moving up and down in his turbid, black belly, and his belly turned transparent, crystal clear. Shen Nong was curious about this leaf that did the magic to his belly. He discovered that it was the “tea leaf”.

Since that discovery, it was believed that the tealeaf had a detoxification effect; this belief passed from generation to generation.

A long history with tea

Yang Kuo-Chen started the Finger Tea Story House in 2013. But the tea tradition of this family runs over a hundred years. “The history of the family is about four generations. The second generation had their teashop under the Japanese occupation, “explains Yating Yang as she walked us through the Tea Museum.

“When he was eight years old, the owner, Yang Kuo-Chen, was making tea with his granddad, and by accident, he lost two fingers; two fingers got cut off by a rolling machine. So our story house here we named “Two-finger Tea” because the story lost his two fingers.”

Yang lost half his ring finger and middle finger in that accident. However, his accident did not keep him from loving tea; it inspired more challenging work and an expansion of their brands into “The Finger Tea Story House”.

“There is a statue of his hand; you will have good luck if you rub it or touch it. “

Zhù hǎo yùn” explained Yating, our story guide. She is very professional and carefully chooses her English words. Now and then, she uses Google translate to help with her English. I stopped, rubbed the statue with two missing fingers, and wished to have more luck.

The story house started as a tiny business. Today is 100 years old. First, Chang Sung Tea expanded into other labels and the bubble tea business. Then, two very famous Taiwanese brands, Tea Top and Tea Struck. Tea Top is a household bubble tea brand, not only in Taiwan, where they have 120 shops but also in the US, where they have ten shops.

As we walked through the museum, I got lessons on tea plants and tea leaves and various teas. Finally, we stopped at Pu’er Tea. Pu’er tea is a fermented black tea from a village named Pu’er in China. I am the proud owner of a brick of aged 13-year-old Pu’er from Yunnan, China. The young tea master was very impressed with my knowledge.

This story house and farm have old tea distinguished from Pu’er Tea and 40-year-old tea for sale. These teas are costly collectors’ items.

The Finger Tea Story House brands have won many competitions. Nantou has the best tea in Taiwan, and the brand wins 20 categories in the biggest tea competitions in Nantou every year. Their winter and spring tea won first place in tea competitions 25 times. They are seen as tea champions. All the teas planted and harvested by Finger Tea are organic.

Tea stories. Finger Tea Story House Tea Plantation. Mingjing Township, Nantou. A woman is handpicking Oolong Tea on the plantation, 480 m above sea level in Mingjing, the tea village. Photo Lizane Louw
Finger Tea Story House Tea Plantation. Mingjing Township, Nantou. A woman is handpicking Oolong Tea on the plantation. Photo Lizane Louw

The healing leaf and more tea stories

“Tea is good for your health and good for your teeth. Tea has fluoride, which is why it is good for your teeth. The tea plants absorb the fluoride from the soil, so tea has a high percentage of fluoride. But it can make your teeth yellow,” Yating explains.

“Grandpa used to say that you don’t have to brush your teeth; you can just drink tea. You can just swizzle the tea in your mouth. Then, you rinse your mouth with tea brewing water.

Tea also contains anti-oxidant actives such as polyphenols and catechin, which inhibit the growth of bacteria and viruses. Therefore, it can prevent you from being unwell,” with those words, I realized that I was speaking to a family member; she smiled as I asked if Mr Yang Kuo-Chen was her grandfather. With that smile, she became more relaxed in her family history presentation.

My thoughts on tea continued as we walked; I thought of the health benefits and what I had read. Nutrients in tea transform into a large quantity of Gallic Acid that can stimulate dopamine secretion. Dopamine can stabilize emotion.

Tea stories. Mingjing Township, Nantou. Oolong Tea plantation, 480 m above sea level in Mingjing. Foto of Oolong tea plants.
Oolong Tea Plantation. Mingjing Township, Nantou. Photo Lizane Louw


Yating’s grandfather performed fortune-telling with tea. He believed that a magnetic field in every man. When that magnetic field turns weak, drinking tea can supplement and turn it back to its fullness. According to the stories retold to children in this family, you can also change your fortune from bad to good.

You have to drink tea according to your age. An extensive chart on the wall shows what tea you drink at what age. For example, I am 40, so I need to drink High Mountain Oolong tea. “When you are in your 20’s and 30’s, you can’t drink high mountain oolong tea. You must wait till you are older, and then when you are in your 40’s, and you drink High Mountain Oolong tea, and then you come back to lower-level teas, it does not taste good,” says Yating, who I now have figured out is the owner’s daughter. She shares tea stories as we walk through the museum.

Tea Chai Cha

I have travelled the world for tea. I had Masala Chai in India; it is a black tea with milk, sugar and spices. I had Darjeeling tea in India, this tea is grown in West Bengal, and you also drink it without milk.

 I learned to drink Chamomile tea in early evening teas in Paris, France, Chamomile, and herbal tea infusion. (Even though I am unsure if Chamomile originally comes from France). I had 50-year-old Pu’er Chinese tea in my favourite teashop in Yinge and had 40-year-old tea in a tiny village called Mingjing, the tea heaven of Taiwan.

I have always wondered why they would call tea by different names, then finally, with reading up, a whole world opened. If you get your tea by sea, it is called  “tea”; if you get it from the land, it is called “cha”. 

So I finally figured out that my favourite teas, Masala Chai and High Mountain Oolong Cha, are both from the land, which means that these teas are grown locally and distributed by land, and I was lucky to drink some of the best-handpicked teas in the world. So, the langue then indicates where we get our tea. If you get your tea by see it is tea, thee, te or tee. If you get it by land, it is chai, chay or cha.

Tea stories. Infographic-Tea by sea and tea by land. Source: Quarts.
Tea by sea and tea by land. Source: Quarts.

Old leaves and a young leave

Most regular Oolong tea is harvested by machine, but High Mountain Oolong Tea is harvested by hand. When tea is harvested by hand, it is more expensive.

“When you harvest tea, you have to harvest them young. The very first leaves have to be harvested. The smell is so natural earthy; it is delicious, still pure, and has not been exposed to the elements and gives the best quality teas,” explained Yating.

The Story House’s “Tea Theory to Relativity” is explained via comics on the Story House Tea Museum walls. Each picture is drawn in a comic cartoon style. It is translated into English on a pamphlet I got given.

“The most interesting is distinguishing between an old leaf and a young leaf. The old leaf is likened to an old man taking a piss, but the pee dripping downwards to his shoes. A new leaf is likened to a young kid taking a pee and projecting across a stream. In Taiwanese, this means a new leaf has more strengths and is better.” I laugh out loud. Sometimes the forwardness of this culture surprises me.

The tea-making process

We continue to the tea-making process. “Oolong tea making requires several steps. First, you pluck, then outdoors; the outdoor withering takes place, then indoor withering, stir dry the tea leaves, roll the tealeaves, grade the tea leaves, and then grade sample the tea leaves. This process was manually conducted; nowadays, the tea process is mechanized; the output is more tea and the process much faster,” Yating continued.

“Green tee, oolong tea and black tea come from the same plant. From the same plant, you can make all three kinds of tea. It is the same plant, Camellia Sinensis,” she explained.

The distinction between these different teas is not from other plants but how the leaves are treated after being harvested. “It also depends on the fermentation process.”

I was shocked to learn that all teas come from the same plant. My story went full circle back to my teacup.

Tea stories. Loose leaf tea in the sorting space after harvest. Photo of Oolong tea in bags.
Mingjing Township, Nantou. Handpicked Oolong tea is placed on tarps. After tea leaves are plucked, they start to wilt; naturally, steady withering takes place when these oolong teas are placed on tarps with black nets controlling the sun they get. Photo Lizane Louw

A teacup full of tea stories

The story goes that the great-grandpa told his 8-year-old son about the finger-cutting machine that rolled off his fingers. “How lucky you are, my dear grandson, that you were not using your genitals to weigh the iron chains”. We laughed and had another GongFu ceremony.

 So many stories. This is an actual story house.

I have tasted a variety of teas in the village, sat down with two teamsters and learned about tea.

A student of the tea leaf

Visiting the storied house was a mind-altering experience. I am learning more about this leaf. I learned so much about tea, tea production, and stories about tea and the MingJing plantations. Again, I found a world of tea stories at the bottom of my teacup.

As we sat around the fire in the tea plantation in front of our round tubular room, I smelled the fresh Oolong Tea plantations. The smells were thick in the air, pineapple, peach and guava. I looked up at the sky and what I saw made me smile. The bright white moon turned into a teacup.

I am a student of the tealeaf. My journey is to learn the Cha Dao.

The moon as a teacup in the sky. Night sky and bright moon. A true tea story.
Infographic. From tea leaf to teacup. Source: LiveInTheNow.com
     From tea leaf to teacup. Source: LiveInTheNow.com

                      

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Bubble Tea and The In/ Famous Plastic Fat Straw

Straw alternatives, metal straws

Alternatives to plastic straws used in the famous bubble tea in Taiwan. Photo of metal straws.
08/12/2018. Taipei, Taiwan. Quan Chang Co. in Taipei manufactures eco-friendly stainless steel straws. These straws are natural alternatives to the multicoloured plastic fat straws traditionally used to drink the trendy bubble tea drink in Taiwan.

Bboba nai cha (Bubble Tea)

No tea story will be complete without writing about bubble tea.

Originally, bubble tea was an iced tea drink that contained a particular ingredient, tapioca pearls, at the bottom of the drink. Today, this bubble tea drink is not always served as iced tea; it can have fruity notes and real fruit as ingredients. This tea or fruit infusion tea today has many varieties and flavours. This trendy tea drink, wildly popular in Taiwan and, in fact, all over Asia, was traditionally made with tapioca pearls and iced tea, hence the name bubble tea. Bubble tea goes by many names, the most popular, Bboba tea, pearl tea or boba nai cha.

The name bubble tea comes from the tapioca bubbles or pearls at the bottom of the drink and the way this delicious milk tea beverage is prepared. The vigorous shaking of the milk in the preparation process also leaves bubbles and foam at the top of the tea drink. Hence the name, bubble tea.

The origin of bubble tea

There are many disputed origins of this trendy Taiwanese beverage. The most famous story is that Bboba nai cha originated in Taichung. However, the story goes that Liu Han Chie of the renowned Chun Shui Tang Teahouse claims that he invented this drink in the 80s.  Whilst travelling in Japan, Chie was inspired by Japanese iced beverages. So, when he arrived back home, he experimented with cold milk tea by adding various fruit, sweeteners and tapioca pearls.

The rest, they say, is history. This trendy ice drink’s popularity spread worldwide, and you can find this delicious, refreshing ice tea or iced fruit drink with tapioca pearls in coffee shops and juice bars in most countries.

Apart from this tea drink traditionally served in a transparent plastic “glass” so that the consumer can see the tapioca pearls, it is served with a noticeably thicker and fatter, more colourful straw. This is so that you can slurp up the tapioca pearls and chew these as your drink your sweet iced tea. These pearls are chewy and soft jelly balls. They glide up the straw as you drink your tea.

These fat straws are also causing a big stir in Taiwan; this is reported in the media; the whole bubble tea tradition is being challenged by the Taiwan Government’s crackdown on plastic.

The best bubble tea in Taiwan


I searched for the best bubble tea in Taiwan and landed at Chun Shui Tang, the teashop famous for inventing bubble tea. I visited their most highly recommended teashop in Xinyi District, Taipei City. This famous shopping district is also home to Taipei 101. A landmark building with 101 floors that was once the world’s tallest skyscraper.

When I visited the shop in Taipei, I had to wait for about 25 minutes to have a seat. When I looked at the English Chinese Menu patrons get, the first line and item on the menu read, “The Creator of Pearl Milk Tea”. There was a tiny bubble tea symbol, two different sizes and “iced” or “hot drink” next to this menu item. Even though I wasn’t in the original shop in Taichung, a city more south, I realized that I was about to taste one of the most famous tea drinks on our tiny blue planet, made the way it was traditionally made in the 80s.

The menu looked appetizing, too; apart from the variety of tea drinks, like Sesame Milk Tea, Jasmine Milk Tea, and Pearl Jasmine Tea, something else caught this wannabe tea connoisseur’s eyes. Oolong Beancurd with Bonito Flakes. In short, Tofu and tea. My two favourite tastes combined. Heaven.

The famous bubble tea of Taiwan. A glass of bubble tea.
08/12/2018. The world-famous “The Creator of the Pearl Milk Tea” as this tea is named on the menu of Chun Shui Tang. Pearl Milk Tea and a very fat straw. Photo Lizane Louw

The fat straw used with bubble tea

I had many varieties of bubble tea during my four years living in Taiwan. Back in 2002, when I visited for the first time, and now, I also enjoyed the more modern, trendy versions of this milky tea beverage. On visits to the street stalls and night markets, I noticed how much plastic gets used for packaging food.

When I go to a regular bubble tea shop, I will get the tea in a plastic “glass”, usually thin and see-through, and there would be a plastic top lid with the now infamous but much-beloved fat straw.

Aware of the waste I produce everyday after a documentary I shot on plastic pollution with TEIA (Taiwan Environmental Information Association). I am, as a result, consciously reducing my plastic consumption, limiting the harm I cause to the environment.

Environmental campaigns

The government of Taiwan also acknowledged the calls from so many environmental campaigns regarding plastic pollution and marine debris. Consequently, the government is taking a very firm stance on plastic.

EPA’s restrictions on plastic straws were introduced in June last year. A notice was posted on the EPA’s website, an excerpt from the Environmental Policy Monthly, dated June 2016.

According to the notice, the EPA has drafted restrictions on single-use plastic straws due to the growing urgency to address marine plastic pollution. The draft stipulates that the following four businesses will be prohibited from providing single-use straws for customers dining in-store: public sector entities, public and private schools, department stores, and shopping malls. This ban will affect 8,000 businesses.

Taiwan’s beloved sweet milky tapioca pearl drinks will be affected by this ban. Since this notice, the internet has ignited protests, and the debate continues. The main question is, “how will we drink bubble tea without a straw?”

Since the announcement of the EPA’s preannounced restriction on plastic straws, the milk tea industry and all lovers of the famous Bboba nai cha, or bubble tea, are discussing it. The conversation on the ban reached all street corners of Taiwan and all the tiny street alleys of all villages and cities.

A bubble tea frenzy

In the press over the past couple of months, various stories have been reported on this bubble tea frenzy online.  According to many reports, the Taiwanese can’t imagine not having their favourite drink without a straw.

Plastic straws are single-use plastic items that are not recycled. As a result, these plastic utensils are one of the most harmful trash pieces in our oceans.

“After plastic straws are used, they are discarded in the environment where they break down into small plastic pieces or are ingested by animals. According to the EPA website, the ingested plastic can absorb toxins in the environment and then accumulate and be consumed by animals higher up in the food chain.”

“However, the EPA urges businesses to take early action by not providing plastic straws unless customers request them. The public is also encouraged to prepare their reusable straws to reduce plastic pollution and waste of resources.”

Marine waste cleanup statistics

Taiwan Environmental Information Organization (TEIA) released its 2017 Marine Waste Clean-up (International Coastal Cleanup) statistics earlier. The data presented reflected those straws were among the top three marine debris found by various marine waste monitoring organisations. The total number of straws found in monitored areas where 23,113. Monitoring operations are done in small square blocks on beaches and do not span the entire monitored coast. This proves again that there is a growing problem with plastic, specifically straws ending up as marine debris on the beaches of Taiwan.

 Marine waste monitoring operations collected data from September 2017 - to October 2017. Source: TEIA.
Marine waste monitoring operations collected data from September 2017 – to October 2017. Source: TEIA.

According to the data collected in the 2017 Marine Waste Clean-up, the Top 5 marine debris:

  1. Plastic bottles – 49,305 pieces
  2. Plastic caps – 32,347 pieces
  3. Straws – 23,113 pieces
  4. Glass bottles – 17,321 pieces
  5. Plastic bags – 16,436 pieces

Alternatives to plastic straws used in bubble tea

Quan Chang Co. in Taipei is an environmentally conscious company that has offered an alternative to plastic straws. Instead, the company manufactures eco-friendly stainless steel straws.

Alternatives to plastic straws used in the famous bubble tea in Taiwan. Photo of metal straws.
08/12/2018. Taipei, Taiwan. On display at the Quan Chang shop, there are a variety of eco-friendly stainless steel straws. Apart from the stainless steel straws, glass straws are also on display. Photo Lizane Louw

I visited the shop in Taipei to learn more about these eco-products and buy some of their products that came highly recommended as alternatives to the straws that would be banned in June/ July 2019.

“I made a bunch of straws. They are going back to America, “says Ocean Chang, owner of Quan Chang.

As it is known, QC is a Taiwanese brand that cares for the environment and our health, and a handout of the products is proclaimed. “In fact, for the health of the people, for the health of the environment,” answers Chang to the question of the company’s vision.

On this handout, neatly illustrated and explained are examples of 19 straws. Then, in extensive, bold letters, “ARE YOU STILL USING TOXIC STRAWS?”

“It is a straightforward idea. It is to be good to oneself, be good to others and the environment, and do a kind thing simultaneously,” he said.

A green shop in Taipei

The whole shop is “green”. I scan the shop again as we speak. I look at the tiny GongFu tea set neatly arranged in the middle of the heavy wooden table. I am seated on a big wooden stump, balancing myself in the middle of the rings of the chopped tree. Everything smells like earth. There is soft Buddhist chanting playing in the background. We drink honey water from see-through recycled glasses with yellow rims, and I had my first experience with a glass straw. We eat fruit out of wooden bowls with stainless steel utensils, and we drink more tea as we exchange ideas, him not speaking any English and me with my 200 words Chinese vocabulary. We communicate with the assistance of a translation device.

“Some people will change and buy these alternatives, but the others will probably still use the public straw, says Ocean’s wife, Nancy Chen.

“People are upset because they don’t want to make this change; it is seen as an “inconvenience.”

“It is difficult to change people’s habits,” Ocean adds, “But this is a product of environmental protection that can change people’s habits. Then we need more people to be green to spread the word and educate people,” he said with passion.

Ocean is sitting across from me, speaking Chinese into this small translation device. I have never seen anything like this, and I am rather impressed at how we manage to communicate, me speaking into this tiny little machine in English and my words immediately translated into Chinese. Ocean listens with attention to my questions and answers again in Chinese.

“Plastic straws are toxic. So people need to buy alternative options like stainless steel. Habits that are focused on environmental protection are needed.”

Green straws

“But how do you get people to choose green straws,” he asked. “We must continue to create these kinds of green products, products that are good for the environment.”

Three people enter through the door. Our conversation is cut short. They are welcomed like family.

The lady close to me starts a conversation in perfect English.

“We came here, especially for the straws. I work in the environmental administration department with this idea or policy to ban plastic straws. It is challenging, as the Taiwanese love bubble tea. The problem is that the policy did not introduce a replacement for the straws. Instead, one official saying we can eat with spoons, “said Jeanne Wei, Environmental Protection Administration System Analyst, Department of Environmental Monitoring and Information Management.

Department of Waste Management specialist Lee Yi-Hua said, “people could use a spoon instead of a straw” these words have caused a massive outlash by netizens and the public alike. This is also now the topic in the shop.

Wei was visiting QC with family members, and all of them were making investments for the environment. Her brother Charlie bought a couple of straws to take back to the US.

“In Taiwan, drinking bubble tea is a cultural tradition. So people are not happy about the straws ban,” affirmed Wei.

From the ongoing debates, it is clear that public opinion is against the ban on straws.

There is a lot of waste on the beaches, and as the data of environmental efforts have shown, many straws are found as marine debris. So the problem is shown in the data, the beaches, and the trash bags collected.

“The proposal was disapproved by many people”, according to Wei, “it is a difficult situation to implement this ban.”

Recycling in Taiwan

Taiwan is currently nr 3 in the world in recycling; a country is a well-oiled machine for reducing, reusing and recycling. “The global ban for using plastic bags, Taiwan was very early to implement that. We did pretty well. When I went to New York, I realized that our plastic bags are thicker than those used in the west. I know that people in the west use a lot of plastic bags, with no restraints, but in Taiwan, we have to pay to use them; this helps people be more conscious about using plastic bags; I think this is a good thing “Wei said.

On banning plastic straws, she said it depends on education too. “If we can teach children, it can help.  We have to start from the young; this year, I also heard stories about how young people influenced their parents to vote in the referendums.” According to Wei, banning straws is a new idea. “We need to educate children on the uses of plastic and other options to take care of the environment. This is a very new thing; people need to be educated.”

Jeanne and her family left after discussing plastic pollution, environmental protection and tea. Ocean cut more fruit, and we drink more tea.

Investing in eco products

“Every country has environmental groups. We must be united to be strong. This “green” straw is very durable and of good quality. You will save a lot on buying and paying for plastic straws. In the end, this will also help the environment. This is much better for your health too.

But the quality has to be good for it to have this value. So if the quality is not good, then it is not a good product and utensil, “he continues.

According to Chang, many people out there are willing to invest in good quality utensils that are eco products; these straws are good quality and good for the environment.

“Environmental education and education about these Eco eating utensils are critical if we want to protect our environment for the next generation,” says Chang. He looks over at his daughter sitting in his wife’s lap.

I noticed a tear running down his cheek, and he sniffed and wiped his nose. At that moment, I realize that I am speaking to a very passionate man about his work with the environment and that he is speaking into this small translating device with his whole heart.

I saw his heart, and I felt his concern in his expression and words.

“Plastic cause a lot of environmental problems”, he said with a heavy heart.

Alternatives to plastic straws and utensils that can be used in the famous bubble tea in Taiwan. Photo of metal straws and wooden spoons.
08/12/2018. Taoyuan. I invested in a whole set of environmentally friendly eco products, wooden chopsticks, spoons, and two groups of stainless steel straws. One special straw from their collections was a gift. This small gift, Ocean said, was a thank you for what I also contributed to protecting our environment. Photo Lizane Louw
 
 

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