Framing Time: Kolmanskop Through My Lens – A Photographic Travelogue

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Preserved by the Namib: Kolmanskop’s Early-20th-Century charm stands against time’s relentless march. Photo Lizane Louw

The sun hangs low in the Namibian sky, casting long shadows over the sun-burned dunes and remnants of a once-thriving German diamond mining town in the Namib, Kolmanskop. The orange-red sand ebbs and flows and reclaims the space. The ever-shifting mass of pale ochre is swallowing the memory of a bygone era.

As the sun set over the dunes, the light cast its last russet and tawny lines on the horizon. We are covered in desert dust as we walk back to the White Rhino, the Toyota Bakkie, waiting to drive back to Luderitz.

My heart was whole.

A childhood dream came full circle. I know what we experienced on an expedition exploring the desert that afternoon will be a very different space tomorrow as the rhythm of the elements re-creates and sculpts the amber-coloured landscapes.

Our photo adventure at Kolmanskop was a journey through my memories and a trip into the heart of one of Namibia’s most popular and photographed destinations.

In this photographic travelogue, I will share an experience that profoundly impacted my young mind as a child. The first photographs of Kolmanskop I ever saw sparked a fascination with this abandoned German mining town, its history and a curiosity about Africa’s colonial past.

But I am not the only one; the eerie allure of this abandoned town has fascinated photographers, explorers and dreamers for generations.

Kolmanskop, a ghost town frozen in time, we explored the rich history and allure of this unique Namibian landscape in 2019.

Childhood Inspiration: Kolmanskop

As a teen, I often lost my imagination in printed images of Kolmanskop, which my mother proudly displayed on our living room wall. Those A4 framed images etched a lasting impression.

From the first moment I saw those photos, I knew that one day, I would like to explore that otherworldly place with the doors swallowed by burned orange dunes.

My dad is Namibian, and we lived in Namibia for a couple of years. My parents are explorers and love to travel around Southern Africa, sometimes disappearing for months at a time when I was a grownup, living my adventures in Asia and Europe.

On one such trip, one of the many they had exploring the desert landscapes back in the day, my mom bought two prints of Kolmanskop.

Whenever I looked at the images, my curiosity was piqued; I remember the contrast of the colours and the sand-filled rooms of the abandoned buildings. In my imagination, I always transported myself to that place.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
A time capsule in the desert. Kolmanskop’s ghostly beauty beckons explorers to witness its beauty and decay. Photo Lizane Louw
"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Kolmanskop’s surreal transformation: The doors tell stories of a vanishing history. Photo Lizane Louw

I developed a fascination with doors. In my mind, the scenes of weathered wood are silent testimonies to a forgotten history. The faded, chipped paint, with light bouncing off the wood’s edge, contrasts starkly with the ever-shifting invading dunes slowly swallowing the space.

Partially buried and slightly ajar, these doors are surreal artworks created by the forces of nature, sculpted by time and the elements. These scenes make a captivating play of light and shadow.

These were the vistas that caught my attention and sparked my curiosity. These scenes continue to inspire visual narratives, stories of impermanence and transience.

The Rise and Fall of Luxury in the Desert

Kolmanskop’s history, once tied to a glitzy promise of diamonds, now stands as a testament to time and the power of nature to reclaim. The area surrounding Kolmanskop was initially inhabited by indigenous Nama and Damara communities, who had lived in harmony with the harsh and unforgiving Namib Desert for centuries.

The late 19th century brought in the European colonial powers vying for control of the abundance of natural resources and control of Africa.

This region in Southern Africa fell under German colonial rule. During German control, diamonds were first discovered in the Namib Desert. A railway worker, Zacharias Lawala’s discovery led to the rapid development of this desert mining village in the early 1900’s.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
A gateway to Africa’s colonial history: Kolmanskop’s
time-worn signpost beckons modern-day explorers. Photo Lizane Louw

The Germans built a thriving community in this barren desert; they brought luxury with modern comforts, like a school, a hospital, a ballroom and some amenities few locals would know and recognise at the time. At the time, the Germans also developed a tram system in Africa.

The diamond rush was short-lived; the world wars and the depletion of the diamond resources led to the village slowly running empty and declining. The town’s history was also scarred with the legacy of colonial exploitation and violence as the Germans committed a genocide against the Herero people in 1904. Locals were forced to work as labourers in these mines during the dark days of colonial oppression in Namibia.

The abandoned buildings at Kolmanskop serve as a poignant reminder of both the colonial ambitions of the European region at the time and the fleeting nature of human existence in the face of nature’s power.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
A sign of time: The silent dance between Kolmanskop and the Namib Desert. Photo Lizane Louw
"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
The Namib Desert is slowly reclaiming the space. Photo by Lizane Louw

Preparing for an epic journey of discovery

After living between Southern and Eastern Asian countries for over a decade and completing a master’s degree in journalism, it was time to head home to Africa, this time with my German partner (now husband).

We jumped into a Toyota Hilux bakkie with my mom and dad and took a safari road trip and photo expedition spanning 8500 km and four Southern African countries.

We had no plan, made no bookings for accommodation, had no maps, and relied on my dad’s expertise and knowledge of Southern Africa.

Into the Wild- An African Wilderness Expedition
A journey of discovery: an 8500 km photo expedition and safari in Southern Africa.
Into the Wild- An African Wilderness Expedition
A journey of discovery: an 8500 km photo expedition and safari in Southern Africa.

If anyone knows the bush and the open road, it is my dad. So, I felt completely safe and happy with no plan or idea of what we were doing. We left the whole experience to chance and good weather and made our way according to the sun and how we felt.

On the month-long journey, we camped in bungalows, wild camps and guest houses along the open road—one of our first stops in Kolmanskop.

It was entirely by chance that we could stay at Lüderitz to visit this world-famous cultural heritage site.

I think this was a perfect plan- no plan. So, every experience on this trip was an unplanned adventure. Of course, my dad had the plan in his head; he has driven this road and the roads we did on that trip many times.

That road also now, this expedition, a favourite of mine. I have recently created the map of this epic road trip and expedition, with the help of the most hardcore explorer I know, my dad Into the Wild, An African Wilderness Expedition- A Journey of Discovery: an 8500 km photo expedition and safari in Southern Africa.

The Long-Awaited Journey to Kolmanskop

We arrived at Kolmanskop early in the morning, had some coffee in the coffee shop and asked one of the staff if we could leave our bigger bags and some jackets in the shop.

It was winter, cold in the morning, and as the sun climbed higher in the sky, it got warmer and sunnier in the desert.

The air was dry, and a breeze blew through the abandoned buildings. The scene reminded me of one of those old cowboy movies. We set out just after the site opened and spent the whole day exploring until sunset.

There was much to discover. We explored all the buildings we could and created images where we went. I felt like I was in a dream world for hours, with each scene we entered differently from the next. Sand everywhere.

I drank a lot of water that day, and so did Daniel. It was hot. The sand made soft layers of gold on our skin and clothes. My lips were cracking. My skin was very dry.

Immersing in the Desert Landscape

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
History swallowed by sand: Kolmanskop’s haunting elegance is slowly disappearing. Photo by Lizane Louw

Nothing can prepare you for this photo expedition and exploration of Kolmanskop; it was one of the most demanding shoots I ever did. The light inside these buildings was challenging, and being the purist that I am, I like to shoot on camera, and the contrasts from the inside of the buildings, looking out, were so strong. I did not want to carry a tripod with me, and I experimented a bit with bouncing flash, but it was way too tricky.

At the time, I was shooting with a Nikon D7000, an old faithful travel companion of a decade. I had my iPhone 8 with me; it was just over two years old then, and I have to say that I was rather impressed with the photos I could shoot with the iPhone.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Kolmanskop Namibia. This image was created with the iPhone 8 Plus, 2019.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Kolmanskop Namibia. This image was created with the iPhone 8 Plus, 2019.

I have not printed any of the work from the iPhone yet; that will be a project I will take on in the future. All these photos have been sitting in my archive for four years. With this thought, I have to refer back to some rock-solid advice I got as a young photojournalist at one of the photography masters courses I did. “Never delete any of your photographs; editing programs change, and technology will improve; keep your archive organised and revisit it when the time comes.”

So, it is today– and will be.

Documenting the Adventure

With our cameras, we sought to capture every angle of Kolmanskop’s decay, from the play of light and shadows to the intricate details and beauty of the abandoned buildings.

I realised from spending hours exploring the space that the light constantly changes the vistas, and so does the interior of the buildings; your chances of getting good photographs are in the hands of nature as the light dances and shadows bounce off the walls down the abandoned corridors—every scene, eerily moving and beautiful.

We revisited a couple of our favourite scenes in the town a couple of times that day, and as the sun was moving in the sky, the scenery changed. The ever-evolving sand’s shape and colour shifted constantly.

Once the sun started to set, I felt slightly panicked as we were informed of wild animals that roam the space after sunset.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
From glory to desert dust: Kolmanskop’s silent descent into the Namib. Photo Lizane Louw

Discovering Hidden Stories Imagining the Past of Kolmanskop

Walking through the abandoned houses and buildings, I couldn’t help but imagine those who once called the space their home. I imagined their joys and sorrows and the immense struggles they must have faced at the turn of the 20th century in this remote desert outpost.

Sitting for what seemed like hours in one of the most well-preserved buildings on a hill on the outskirts of the village, I could only imagine what the spaces looked like and what stories the walls held. I imagined the room filled with laughter and music.

My curiosity was piqued, and I knew that one day, I would like to write a historical feature sharing the story of this space.

"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Resilience in decay: Kolmanskop’s remnants stand against time and the power of nature. Photo by Lizane Louw
"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
Kolmanskop’s quiet demise: A photograph that is a powerful testament to time’s constant movement. Photo Lizane Louw
"Portraits of Time" Fine Art Photography Collection. Kolmanskop, Namibia. A work from the collection created at Kolmanskop by photographer, Lizane Louw. An image of an abandoned building in the diamond mining village in the Namib.
The Last Stand: A photo documenting a deserted old German mining town’s slow
surrender to the Namib. Photo by Lizane Louw

Capturing Beauty in Decay:  The Power of Photography

My photo expedition to Kolmanskop was not just a physical journey but a profound personal exploration of the intersection of history, nature, and human imagination.

The evoking beauty of this abandoned mining village inspired me to create a series of fine art photographs that explore the themes of human fragility and transience. These images I created capture the essence of this abandoned diamond mining town and serve as a powerful reminder of our fleeting human existence.

I captured the play of light and shadow, highlighting the intricate textures and patterns in the decaying buildings reclaimed by the ever-shape-shifting desert dunes. The juxtaposition of the barren desert and the abandoned structures creates a striking visual impact. Strong contrasts in colour and texture invite us into this surreal, otherwordly visual experience.

These photographs are not just a reflection of life’s impermanence but also stand witness to the beauty that can be found in decay and abandonment.

As you look at the work I created, I would like to invite you to reflect on our human existence.

The colour, light, and shadow enabled me to create a series of fine art photographs that I hope will inspire your imagination, too. My aim in presenting the work and sharing this story is to show the ability of photography to capture the essence of the human experience. I hope to inspire you to see beauty in even the most unlikely places. Our visit deepened my appreciation for the power of photography and storytelling in shaping dreams and aspirations.

Photograph of journalist and photographer, Lizane Louw, at Kolmanskop, Namibia

Kolmanskop, a place that had intrigued me since childhood, had transformed from a distant dream into a tangible reality, leaving an indelible mark on my work as a photographer and journalist.

A place that once only lived in my childhood dreams and the deep corners of my imagination had not only met but exceeded my expectations. It became integral to my identity as a travel and culture journalist.

I am looking forward to my return.

As I reflect on my experience as a photographer at Kolmanskop, I’m reminded that imagination can pave the way for extraordinary adventures. Once these daydreams become reality, they can etch unforgettable chapters into the intricate and beautiful tapestry that is the story of our lived experience.


Spring News ’23. Innovative Framing, Alternative Photo Printing And Design.

Finally, our late spring, early summer newsletter. In this edition, I share some thoughts on alternative photography print techniques, my current projects and thoughts on visual design! I am exploring unconventional printing and framing techniques and pushing my creative boundaries as an artist and designer. In this issue of our news/letter, we delve deeper into the art of printing and my creative experiments.

: Our Print Drop Experience: An Journey With Art and Nature

The inaugural print drop of our online fine art photography gallery ended just over a week ago. Reflecting on the experience, I can say that Daniel and I are filled with gratitude and a sense of awe for what we experienced and learned, and in the end, take away from this incredible creative journey we embarked on together in 2019. To summarise the whole experience in a paragraph of this news/letter would not be enough; I will share more on the challenges, mistakes we made, our creative process, and what we learned as I continue to brainstorm a “How to” article, I think sharing the pitfalls and challenges might help someone else setting up an online gallery and print shop. I will share more about this challenging but rewarding experience. More on that soon.

Exploring the elements

The “Elements” collection, inspired by the Japanese and Chinese philosophy of the “Elements of Nature,” took us on an artistic adventure through the remote landscapes of Namibia and Iceland, a journey that we shared with our first experimental print drop.

We face numerous physical and creative challenges during photo expeditions in these remote and awe-inspiring locations. We often face harsh weather conditions and challenging light. Still, each image we create is a testament to our passion for visual storytelling, perseverance, and a deep connection with the natural world.

With each photography expedition and story adventure, we aim to push our creative boundaries and that of our craft. Returning home with a bag full of stories and photographs that inspire us is what it is all about.

Throughout this inaugural print drop, we witnessed the power of art to inspire and connect people. Seeing how our fine art prints have resonated with art enthusiasts and nature lovers alike has been truly humbling. Our work has transported our audience to remote landscapes, igniting a sense of wonder and evoking emotions that words cannot fully express. We appreciate every connection made, every comment and every message of encouragement.

The response to the various formats and motifs we carefully curated for the “Elements” collection has been overwhelming but inspiring. Through creative experimentation, we learn what works and what doesn’t. We learned much and will apply the lessons learned to our next print drop in September.

We experimented a lot and pushed boundaries. From the convenience and versatility of A-sized prints and the elegance of European gallery sizes to experimentation with asymmetrical framing, we aim to cater to diverse tastes and preferences with our fine art photography prints. It makes us happy that our efforts to present photographic art in unique ways have been noticed and appreciated. We are inspired to continue exploring the intersection of art and nature, capturing moments of beauty and wonder that transcend time and physical space.

While this print drop may have ended, our journey as creative storytellers and artists continues. We are planning our next print drop and brainstorming new photo expeditions. We look forward to sharing our future projects with you. Connect with us on social and join us once again on a visual adventure to unique, exotic and remote locations and experience our encounters with the elements of nature.

You can read more about the “Elements of Nature” project on my website. I will update the main website and online gallery with more work as we explore all the possibilities of visual storytelling, photography and epic photo expeditions. We aim to develop our practice as visual and lens-based artists.

If you are curious, the art photography gallery studiolizanelouw.com is online; the only work currently available to collectors and photography enthusiasts is a small selection of open-edition prints. We will update the gallery with the following print drop in September. Many hours go into brainstorming such a project, so check back towards September to see what we will create next.

In the meantime, get in contact if you have any questions, or sign up for the studio newsletter to learn more about our future projects.

: On my creative journey, practice as an artist and new projects

With a continued focus on the elements of nature, I am embarking on an experimental print project this summer. I have been curious about photograms and cyanotypes for a very long time and will experiment with these printing techniques in the coming weeks. I learned a lot from block printing, mud printing, image transfers, and batik in the past few years. What sparked a new project was an exhibition we attended in April 2022 here in Berlin. I was introduced to the work of Marie Clerel, her midi series, 2017–2019, at Songs of the Sky, Photography and the Cloud at C/0 Berlin.

The simplicity of the work by Clerel and the power in the process and thought behind it had a profound impact on me. I have since dreamed about experimenting with cyanotypes and photograms. When the opportunity came up to do a workshop here in Berlin, we dove in, and in a couple of hours, I was hooked.

I created some test prints and have experimented a bit with different papers and also photo paper. I stocked up on all the necessary tools and am now patiently waiting for the sun. I look forward to our experiments and the body of work I will create this summer.

Nature. Human Nature – A Juxtaposition in the Natural World.

The photography project “Nature. Human Nature” aims to explore the relationship between humans and nature through the cyanotype process and photograms. By utilising natural found objects discovered in Berlin, the project seeks to create thought-provoking and visually captivating prints that contrast the effects of coevolution and coadaptation. I am interested in the continuous process of mutual adaptation of us as humans and mother nature. Human actions impact the environment; this leads to ongoing changes and adjustments.

The project intends to communicate the impact of human actions on nature. The work will draw inspiration from minimalist and abstract art, aiming to create works that resonate with people interested in experimentation with alternative printing techniques and who love art, photography and pushing creative boundaries.

I am taking some time off from social media for the summer and will dedicate my time to sun printing. I am excited and inspired not only to create art but to recharge my creativity and to do more experimentation with printing. I look forward to exploring the green spaces here in Berlin and enjoying some sun after this long brutal winter.

Papaver rhoeas, Mörderberg Berlin, July 2023. This print of a poppy was made on Solar-Fotopaper that was exposed to the sun on an overcast day, exposure time, 5 min.

: On Other Projects

I believe in experimentation and pushing creative boundaries with photography, printing and art. Those following my journey for a while know I have various creative projects running in the background, some in various stages of “production”, I will share more in the coming months.

Apart from all the visual, written and design projects I am working on, I have accumulated an extensive body of work over the years, and one of my main projects this summer is to edit my travel photography and travel journalism portfolio and share a collection of work on my website. I have been putting this task for years and have not shared much of my travel photography on my website or on social media. Finally, I will edit and add the work to collections and share it on my website. Who knows, the work might even go into a photobook.

A young boy dressed in a colourful costume for an initiation ceremony in the village of Tenganan, Bali. I got to photograph one of the village boys before the ceremony. The double Ikat Geriseng and traditional village costume caught my eye.
My pursuit of indigenous double Ikat and Songket textiles led me to an extraordinary encounter—a sacred ceremony in Tenganan, Bali. The vibrant patterns woven into these religious fabrics narrate the stories of this secluded community, its culture, and its divine heritage, leaving me inspired and curious, eager to delve deeper into their world of extraordinary textiles. In the photo is a young man celebrating this sacred ritual, Ngusaba Sambah, in Tenganan Bali.

One of the most important phases in my creative process as a photographer and artist is reflection. As summer finally arrived, I could feel the pace of life here in Berlin slowing down.

I decided that I wanted to move slow for the next couple of months. Summer in Berlin is magic, and I want to throw myself head first into this European summer. It is time to take a break and recharge. It is also time to reflect on all my incredible experiences on the road and ten years of epic adventures in Asia before I set off on another epic adventure to the East in the Autumn.

I will share a travel photography portfolio soon. I am excited to dive into my archive and re-edit the work I created on an epic mind-expanding adventurous ten years in Asia.

: On Design

I have two months of studies left in my design certification course. I feel like I want to pick up the pace a bit and commit more time to exploring visual design. There are so many cools books I want to read. (I will share some books I am reading in the next newsletter.)

What I learned so far has changed how I look at content, write content, create content, and present my work online. To say that I am happy with what I have learned so far would be an understatement. I am also delighted to expand my creative repertoire and to be able to call myself a designer. I have always been interested in information architecture, interaction design, visual research and visual design, so I look forward to using all my creative and multimedia skills.

My days for the past year have been packed and challenging, mainly focused on our online art photography gallery and my design studies. I have spent months researching, sketching and iterating designs, and I look forward to sharing my sustainable travel app and design portfolio soon.

Once my studies are complete, I will offer more writing, photography and design workshops. I am building some serious skills and will happily share what I have learned.

: On Connection

Keep your eyes on my social media pages. Behind the scenes, as new projects take shape and the current flow of inspiration continues, I will share more of our studio work after our summer break. I will also share the creative process and the next print drop with the subscribers of the studio newsletter. Do sign up if you want to follow along.

Thank you for being part of this epic creative journey. Stay tuned for more photography adventures, epic photo expeditions and photo stories.

I have big dreams and big plans and will continue to share my love for the arts, design and innovative print experimentations on textiles, paper and other materials with you.

I aim to inspire, one photo/story at a time.

See you in autumn ’23.

How to become a travel journalist

QUESTIONS FOR A TRAVEL JOURNALIST AND PHOTOGRAPHER

How do you become a travel journalist and photographer? This is one of the questions I often get asked when what I do for a living pops up in conversation. I decided to share this short article on “Questions for a Travel Journalist and Photographer” to answer some questions.

Life as a nomad, where do I start?

Photography and exploration, for me a calling; it is a lifestyle, is a way of living. I crossed the boundaries of this being a career a long time ago.

I had many solo travel experiences, train journeys through India, and motorbike adventures on the islands of Penang and Langkawi in Malaysia. Surf adventures in Bali and South Korea. Street photography adventures in Hong Kong, Taipei, Manila, Kuala Lumpur, Seoul, Busan, Paris and Berlin. Wine adventures in South Africa and Portugal. Highlights of my photographic trips were my Photography safaris in Botswana, Namibia, Zimbabwe and South Africa.

During Holi in Varanasi, India in 2016, I met my husband. Daniel is a keen photographer and is now also a registered drone pilot. Since we “teamed” up, we did photographic expeditions to Iceland and Greece and safaris in Africa. We have travelled extensively together.

My favourite experiences have been my tea adventures in Taiwan; so much life inspiration was found at the bottom of my teacup.

MY WORK AS A TRAVEL JOURNALIST AND TRAVEL PHOTOGRAPHER

There are many questions about a career in travel journalism and photography. Many people have crossed my path that is interested in a career in travel journalism and photography. I put together this list of questions that I get asked often. If you are reading this and have any other questions, get in contact.

My profiles on Muck Rack and Trav Media, conversations I had on photo journeys and expeditions, and emails received from professional photographers, aspiring journalists, and travel writers guided this Q and A.

WHAT WAS YOUR FIRST JOB AS A JOURNALIST?

I entered the world of journalism as a photojournalist at Media 24, Die Burger in Cape Town, South Africa, in 2007.

HOW DID YOU GET INTO TRAVEL WRITING?

I have always kept journals and wrote about my travel adventures and experiences on social media. It was a natural progression from being a hard news photojournalist into the world of multimedia journalism. I did a master’s degree in journalism and got into feature writing when I wrote a series “The Tea Diaries” in Taiwan in 2018.

The transition from news to travel writing was a challenge. I still have a lot to learn about the travel industry. I received much support and guidance from some great travel writers and editors in 2020 and 2021. I am in the process of writing, editing and working on some exciting profiles and destination stories.

This career fits me, I have been a nomad for over 24 years, living and working internationally. To date, I visited over 60 countries.

WHAT IS YOUR  FAVOURITE DESTINATION?

That is always a tricky question to answer. This question usually pops up when people ask me about my adventurous spirit. My heart will always be drawn to Asia since I lived between the countries in South East Asia, the Far East and Central Asia for a decade. I love train journeys in India, tea adventures in Taiwan, motorbike and surf adventures in Bali, and safaris in Africa. I just love travelling.

DO YOU HAVE ANY FAVOURITE TRAVEL EXPERIENCES THAT YOU LIKE TO WRITE ABOUT?

Currently, my focus is on unique experiences and destinations off the regular tourist cycle. I am working on tea and textiles stories from India, Sri Lanka and Taiwan. I am also busy writing stories on culinary experiences in Iceland, Peru, France and Portugal. I am drawn to stories about sustainability and the environment, culture and art; I love to explore countries where I can learn about local communities and sustainable ways of living.

DO YOU HAVE A PARTICULAR SUBJECT YOU LIKE TO PHOTOGRAPH?

My background in news photography and photojournalism gave me exposure to a wide variety of subjects. I can document anything I want really; I think I am lucky that I have over 14 years of visual journalism experience.

My areas of speciality and expertise in photography are photojournalismnature and wildlife photographyportraiture and travel photography.

My heart is in portraiture, though. As my career progresses and I get older, I might focus on portraiture more.

EXPLAIN THE TIMELINE OF YOUR CAREER.

I am a trained and experienced hard news and investigative journalist. I followed this career path until I finished a master’s degree in journalism at Ateneo de Manila University in Manila, Philippines. My written work in news and investigative journalism shifted after researching and writing about marine debris and pollution in Taiwan.

Once I landed in Europe in 2020, I started focusing more on travel journalism; living in Germany has opened many doors. Currently, my focus is on stories that educate and inspire. I hope my work can cultivate a better understanding of people and cultures, sustainability, and our relationship with the natural world and the environment. I now work as a travel journalist and photographer in Europe and Africa.

MORE ABOUT THE WORLD OF JOURNALISM AND MY THOUGHTS

HOW IS SOCIAL MEDIA CHANGING NEWS?

Now more than ever, it is important to educate yourself so that you can have informed opinions. News is available with the press of a button. Be an informed citizen of the world. Don’t believe everything you read.

WHAT DOES IT MEAN TO BE A JOURNALIST?

Journalism, especially photojournalism, has taught me to look and then see. As journalists, we are storytellers on the front line of history. That comes with a huge responsibility. I am a journalist, first and foremost, to help people make sense of our world.

WHY DID YOU BECOME A JOURNALIST?

I am a storyteller and an artist, mainly in visual mediums. I like to communicate messages and stories. I have never wanted to be anything else.

WHAT STORY ARE YOU MOST PROUD OF WORKING ON?

“Dust of the Streets. Nobody’s baby, somebody’s child.” A story on adoption and abandonment in South Korea.

DID YOU WORK FOR YOUR HIGH SCHOOL NEWSPAPER?

I wrote for “Die Sollie”, our school newspaper in high school. I wrote gossip news articles.

WHO IS YOUR FAVOURITE FICTIONAL JOURNALIST?

Lois Lane.

TOOLS I USE IN MY JOB

WHAT TOOLS/ PROGRAMS DO YOU USE IN YOUR JOB?

I use the Adobe Creative Suite daily and Microsoft Office. I experiment a lot with programs and apps.

WHAT GEAR DO YOU USE?

My interest is remote and unusual destinations. I keep my camera bag light. I have used Nikon gear my whole life and own several cameras. I have a collection of Nikon film cameras and my pro gear. What is essential for me is not to have the latest, best gear and the biggest and fastest lenses. It is important for me to know my gear well and be able to move fast; I guess that comes from my mindset and training as a photojournalist. You check out what gear I use here. 

WHAT IS YOUR FAVOURITE SOCIAL NETWORK?

Instagram, I have recently also re-discovered twitter.

WHO DO YOU WISH FOLLOWED YOU?

Photographer Annie Leibovitz and Journalist Christiane Amanpour.

SOME THINGS ONLY MY CLOSE FRIENDS KNOW

WHAT ARE YOUR FAVOURITE DRINKS?

Gin & Tonic, Green Tea Mojito and South African wine.

WHEN YOU ARE NOT AT YOUR COMPUTER OR WORKING ON STORIES, WHERE ARE YOU MOST LIKELY TO BE?

Apart from photography, I have many hobbies. You can find me in my studio painting or working in my urban herb and tea garden. I also like experimenting with Asian tea rituals at my tea table. You might also find me somewhere close to water camping and on my SUP.

WHAT ARE YOUR FAVOURITE PUBLICATIONS TO READ?

New York Times Travel,  National Geographic,  National Traveler UK and Condé Nast Traveler.

ADVICE FOR THE ASPIRING TRAVEL JOURNALIST 

WHAT ADVICE CAN YOU OFFER ASPIRING TRAVEL JOURNALISTS AND PHOTOGRAPHERS? 

I guess the most important piece of advice I would give is to be true to yourself, don’t copy others.

Find inspiration in the work of other photographers and writers, but work on your voice and creative identity. Forget what other creatives are doing and do you. You are your only competition, don’t compete with others.

It is vital to get out there, experience life and shoot as much as possible. Read as much as you can. Write as much as you can. Travel. Explore. Do things that surprise and shock you as often as possible.

In the field. Lizane Louw travel journalist and photographer.
In the field. Lizane Louw travel journalist and photographer.

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